Tagged: computer games

Fork Parker’s Holiday Profit Hike: A holiday war of attrition.

I think Devolver Digital is slowly becoming one of my favorite publishers. Earlier this year, they teamed up with The Expendables 3 and released a demo for Broforce called The Expendabros that was pretty damn fun. (You can read about that game here.) They gave the dormant Serious Sam and Shadow Warrior franchises new life with new games in the series, and published the awesome yet frustrating Hotline Miami. So yeah, they’re a pretty cool publisher.

Now they’re spreading some holiday cheer with yet another free game, this time featuring their mascot/CFO/Twitter darling Fork Parker. This one is quite a doozy…

This title is a damn tongue-twister.

This title is a god damn tongue-twister.

Fork Parker’s Holiday Profit Hike is a Christmas-themed promotional game featuring Parker and developed by Dodge Roll Games, a new studio who’s working on Enter the Gungeon coming out next year. Unlike Expendabros, Holiday Profit Hike is not a reskinned version of Gungeon. Instead, it’s a unique game of its own.

Fork Parker seems like my kind of guy.

Fork Parker seems like my kind of guy.

You play as Fork Parker, who must make a load of profits for Q4. His solution? Climb a tall “mountain” filled with perilous spikes, snowball-throwing yeti, and tacky Christmas sweaters while trying to grab cash along the way. If you get to the end and finish in the black, you’ve saved Devolver Digital. A fairly simple holiday-related story, and for a game like this it doesn’t need anything more complicated than that.

Holiday Profit Hike boasts a pixel art aesthetic, which I’m usually not a fan of, but I’ve been slowly warming up to it in recent years. Somehow Dodge Roll Games made a dodgy old dude like Parker into a cute-looking character thanks to the art style. It also has a few music tracks, one that loops endlessly. It’s a bit short, but it fits the rest of the game’s atmosphere.

The start of a short, yet rewarding journey.

The start of a painful, yet rewarding journey.

So what makes this game different from other platformers? Well, Parker comes equipped with a cool feature in which he can throw pitons at certain walls and floors and make a rope zipline he can ride with his cane. This is the core mechanic of the game, and is pretty unique for a platformer. He can even use his cane as a pogo stick to temporarily stun some enemies, taking a few tips from Scrooge McDuck. I wonder if Parker and McDuck are BFFs. They both share a penchant for cash…

This game follows the formula that games like Super Meat Boy and VVVVVV follow in which one hit is certain death. There’s a lot of spikes strewn around, and lots of slippery blocks will be the cause of many deaths. Thank god the game has checkpoints after every major puzzle, but even with those, it’s not an easy challenge. Nothing sucks more than getting past a difficult part, only to die in a spike pit, negating all progress.

This one part almost drove me insane. I'm surprised I beat it.

This one part almost drove me insane. I’m surprised I beat it.

I don’t get frustrated at games very often, but Holiday Profit Hike broke me. I died so many times that my swearing became shrieks and cries of “NO!” when I botched a difficult section. The part above is what wrecked me the most, causing me to swear and shout more than anything else in the game at that point. Eventually I got so frustrated from failing so much on this one section that I received concern from other people in my house. When people start worrying about me over a game like this, I knew I had to take a break.

This is why I'm not a businessman. Or a platformer expert.

This is why I’m not a businessman. Or a platformer expert.

However, I am not a quitter. I will push myself, yelling and screaming until I finally get past those damn difficult sections. After many failed tries, I persevered and got to the top of the mountain in an hour and a half. Alas, I got the worst ending, but it’s better than giving up and missing out.

The game isn’t very long, and doesn’t have much in replay value. The only other options are get better and beat the game with a positive score to get the best ending, or to speed run through it, which is an impressive feat if you can do it. I don’t think I’m up for replaying this, but I did enjoy playing through it in spite of it breaking me more than any game has in years.

If you wanna play this, it’s available on Steam for a limited time. It’s very frustrating, but still fun despite the hard difficulty. Props to Devolver for giving out a free holiday game, and to Dodge Roll Games for perfectly capturing the spirit of a balls-hard platformer. I wouldn’t mind seeing a sequel of this. Just make it a bit easier next time, alright? 😛

A look at Counter-Strike: Global Offensive’s original music kits.

So for the past month and a half, I’ve been fixated on something a bit unusual:

When you need some jams while using the AWP on Dust II.

When you need some jams while using the AWP on Dust II.

Valve introduced “music kits” to Counter-Strike: Global Offensive. These special items replace the game’s default music with unique tracks by nine different musicians. You can get one of these offered randomly in-game for $6.99, or buy one on the Steam marketplace if you’re looking for a specific one. Alternatively you can “borrow” anyone’s music kit who has a music kit equipped, so you can give it a try in action.

I love video game music. I also tend to get nerdy about the parts of video game music most people don’t notice. Naturally when this was announced, I was excited for something that was probably done to distract us from how broken the CZ75-Auto is in CS:GO. But I was curious on what each one sounded like, and if they were a good fit.

The first nine music kits introduced. A nice mix of game composers, DJs and rockers.

The first nine music kits introduced. A nice mix of game composers, DJs and rockers.

For the sake of this, I’m gonna give sort of a mini-review of each kit. Granted, I’m not great at reviewing music, but I’ll try to review it to the best of my abilities, and link to videos that feature each kit so you can listen to them for yourself. Without further ado, let’s get started.

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Mountain Dew Game Fuel: Press X to Chug Edition.

Hey, it’s that time again. That time where a certain beverage advertises a certain video game. Just in time for it’s release…

Shamelessly stolen from a Mountain Dew Wiki. Yes, That Exists.

Shamelessly stolen from a Mountain Dew Wiki. Yes, That Exists.

Yep, Mountain Dew Game Fuel makes its return. I’ve written about these in years past (here are my reviews of the 2012 and 2013 flavors), and I had totally forgotten that they were doing it again until very recently. Reviewing Game Fuel has become a tradition on this site, and I would be remiss if I forgot to cover this year’s model.

This year, Call of Duty: Advanced Warfare is our big sponsor, after Microsoft got dibs last year, forcing Activision to settle with Monster Energy cans with Call of Duty: Ghostbusters instead. You can read about that, and my virgin experience with Monster Energy here.

Something old, something new. It seems to be Mountain Dew's MO these days.

Something old, something new. It seems to be Mountain Dew’s MO these days.

So we have two flavors this time round: Citrus Cherry and Lemonade. I’ll make it quick on the Citrus Cherry, since it’s the same flavor as previous years: It tastes like Mountain Dew mixed in with a cherry tinge and gives a citrus punch that’s unexpected. I used to drink Squirt religiously, but I can barely tolerate drinking a glass of Citrus Cherry because of the citrus kick.

Because one should always taste test their drinks in a small glass. It's for maximum fancy.

Because one should always taste test their drinks in a small glass. It’s for maximum fancy.

As for Lemonade, it tastes like fizzy lemonade. It’s like having Tropicana lemonade if it was mixed with carbonated water instead of regular water, complete with the weird lemonade aftertaste that branded lemonade has. Certainly better than the Electrifying Berry of last year’s. I wish this was a regular flavor, it would be the only Mountain Dew-related flavor I’d actually drink!

Alas, Kevin Spacey’s visage does not make an appearance on the bottles, which is quite a shame. I would’ve been proud to say I owned a bottle of Mountain Dew with the star from House of Cards, but I guess he doesn’t sell soda compared to MILITARY DUDE WITH A STERN MILITARY FACE! OORAH!

I shouldn't be surprised this kind of promotion exists, but it makes me laugh every single time.

I shouldn’t be surprised this kind of promotion exists, but it makes me laugh every single time.

This year, they brought back the “DewXP” concept where you can input codes to give you free XP or bonus goodies in Advanced Warfare‘s multiplayer mode, now called “FUEL UP FOR BATTLE.” I’m going to guess that you’ll likely get free emblems, gun skins or other things you can customize, all with the appropriate Mountain Dew and Doritos branding.

Forgive me if I seem ignorant of what you can get out of the Fuel Up for Battle thing. Since I stopped following Call of Duty religiously not long after Black Ops, I couldn’t tell you what the multiplayer has, except it probably has XP, point streaks, weapon attachments, 10 game modes that everybody ignores except for Team Deathmatch and Search & Destroy; and 20 levels of Prestige for the hardcore players. It hasn’t changed much since Modern Warfare‘s multiplayer back in 2007. You play one of them, you played them all.

I wish I could be interested in Call of Duty: Advanced Warfare, but it just seems like a mish-mash of Black Ops II and Crysis 2 with a pinch of Kevin Spacey for added flavor. Since Call of Duty games come out every year and I can’t really afford games at full price, putting down $60 on a video game plus the game’s DLC and a subscription to Xbox Live or PlayStation Network seems like a ridiculous preposition to me. (I know the game is also coming to PC, but I have little faith of it being a good version, especially since how bad the PC version of Ghosts was.)

It doesn't help that stuff like *this* exists in the game. This beats Ace Combat Assault Horizon for "most ridiculous quick-time event ever".

It doesn’t help that stuff like *this* exists. I could see what they were going for here, but these are just as ridiculous as the ones in Ace Combat: Assault Horizon.

Oh well, I can still drink these special flavors of Mtn Dew and write about them. It looks like Game Fuel is here to stay, complete with the gamer stereotype of chugging Dew and gobbling Doritos while you get that sweet XP. See you guys in 2015 when we do this once again with some other video game. Here’s hoping that Citrus Cherry doesn’t come back along with it.

A bunch of stuff I saw at the 2014 Portland Retro Gaming Expo.

prge1

So this past weekend, I went to the Portland Retro Gaming Expo. It’s my fourth time to the con, and I remember when it was wedged into a small conference area in the DoubleTree Hilton near Lloyd Center to it’s current home at the Oregon Convention Center.

Last year I had recorded video footage from the event, but didn’t use any of it and didn’t write anything about it. This year, I promised myself I’d actually blog about it this time. Especially since the people that run the Expo actually linked to my entry from 2012, where I had gotten a bunch of stuff, talked to “Gamesmaster” Howard Phillips, and had David Crane sign a copy of Pitfall I found at the same expo. I have to thank the expo for even giving my podunk blog a few extra views every now and then. 🙂

This is more of a “what I saw” post. I didn’t spend much at the con itself, but I did find a bunch of really, really interesting gaming stuff. Join me as we look at some of the things these vendors had to offer.

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Kiss Psycho Circus: Glam rock meets the paranormal.

I am not a fan of Kiss. I only know a few of their songs, mostly because they appeared in Rock Band. I watched that Behind the Music episode they did once, at least. Besides that, all I know about them is they want to Rock and Roll All Nite and have a wonderful time, they made a bizarre ’70s live-action special, and then there was that period in the ’80s where they took off the makeup and were like every other hair metal band of the era. They have a couple good songs, at least.

Naturally, with how popular Kiss was, along with Gene Simmons’ shrewd business tactics, there has to be a video game about them. Enter Kiss Psycho Circus: The Nightmare Child.

This is one of four different covers. I guess they hoped people would buy all four in a way to recuperate the development cost?

This is one of four different covers. I guess they hoped people would buy all four in a way to recuperate the development cost?

Kiss Psycho Circus: The Nightmare Child is a video game adaption of the Psycho Circus comic book series by Image Comics and Todd MacFarlane Productions. The comic involved the band members becoming supernatural beings and saving the universe as part of the Four-Who-Are-One (I wish I was making that up). The video game borrows elements from the comic, but has a wholly different story.

Instead of playing as the band members, you play as members of a Kiss tribute band, who get teleported to a special world ran by this gypsy named Madame Raven. She tells you about this big bad called “The Nightmare Child,” and your band are the chosen ones to stop them. Separated by the Hall of Mirrors, each band member goes through each world as they grab each of the six pieces that form the respective Elder.

I hope you love mystical dialog that barely makes any sense!

I hope you love mystical dialog that barely makes any sense!

After writing that paragraph, most of which I consulted the manual to understand this bizarre-ass story, I can say with authority that this story is so god damn ridiculous that it’s not worth knowing. Then again, with this being co-opted by a band known for wearing silly outfits and the guy who created freakin’ Spawn, I’m not expecting Half-Life levels of storytelling here.

Here's a goofy little easter egg: The statue is holding the logo of developer Third Law Interactive.

Here’s a silly little easter egg: The statue is holding the logo of developer Third Law Interactive.

This game was developed by Third Law Interactive, founded by one of the original members of the Daikatana development team, so already we’re off to a shaky start. They didn’t do a whole lot of notable stuff, my brief search found out they worked on an Aliens vs. Predator 2 expansion and added stuff to the Game of the Year edition of No One Lives Forever. So we’re looking at a small studio with not much notability, which is worrying.

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From a game mod to Splinter Cell: How I discovered a song by accident.

Over the years, I’ve amassed ridiculous amounts of video game knowledge. I created the Secret Area as a good place to share said video game knowledge with people. Naturally, video game music is something I’m also interested in. While I am a bit of an outlier in terms of my game music tastes – I usually prefer stuff by American and European composers, and don’t really care much for Japanese game music past the SNES/Genesis era – I still love finding information about game music, much like a lot of things I like.

So I’m gonna get nerdy about video game music. I’m gonna write about something that came to mind fairly recently that I thought would be worth sharing. This will hopefully be the start of a new series where I delve into the oddities and bits of inane trivia of music in games.

2014-09-21_00001

Poke646 is one of the best Half-Life mods out there. At the time, most Half-Life mods reused most of the existing templates that the original game used, making Black Mesa look like a research facility that spanned a whole continent. Mods like They Hunger and many others changed how people looked at Half-Life, but not nearly as well as Poke646 did. One day, I should write about Poke646 and its sequel Vendetta, they’re some of the best Half-Life mods out there.

The game’s credits, featured below, featured this haunting, ambient tune.

[youtube=https://www.youtube.com/watch?v=pv-PuH6BNiI]

The hip-hop styled track really fit in line with the rest of the game, which also had some great original ambient music. Thankfully all this music is in the Poke646 mod folder, since I don’t know much about the composer of the ambient music, and there’s little information about it or the mod’s soundtrack online.

Cut to 2010. I had recently picked up Tom Clancy’s Splinter Cell: Conviction Special Edition for $35 at Ubisoft’s online store because of an issue of the special USB keys not working on some copies. As I was going through the game itself, a certain tune started to play that sounded familiar…

(WARNING: Plot spoilers for Splinter Cell: Conviction within.)

[youtube=http://www.youtube.com/watch?v=JNhxKNzeOHc&start=2155]

Yep. It’s the same song. Until then, I had thought that credits music was a unique track made for Poke646. In reality, it was a licensed song: DJ Shadow’s “Building Steam with a Grain of Salt,” from his 1996 debut Endtroducing…..

Ubisoft had licensed “Building Steam…” to play over this part of the game. Since it had been years since I had played Poke646, I had realized the tune sounded familiar but couldn’t quite place it until I replayed the mod much later. After knowing this fact, I bought the song not too long after, naturally.

Games using licensed music is hardly new, think of the many music games that have come out over the years. But most games usually have a composer do all the incidental music, rarely do they use a licensed song unless it’s made specifically for the game, like Eminem’s “Won’t Back Down” and “Survival” from Call of Duty: Black Ops and Call of Duty: Ghosts, respectively. Why Ubisoft thought the DJ Shadow tune fit this particular scene is a mystery that we’ll probably never know.

Speaking of DJ Shadow, he has contributed remixes to a few games himself, such as the “El Dorado Megamix” he did for the Uncharted: Drake’s Fortune soundtrack, and two tracks for Motorstorm Apocalypse. So he’s contributed music to the video game world, both directly and indirectly.

To bring it back around to Poke646, “Building Steam…” got a remix when Vendetta was released in 2006, adding some rocking guitars over the game’s credits. In a way, adding additional instrumentation to a song that heavily uses samples is interesting, because it’s using a song with samples as a sample for a new song. It’s fascinating, really.

Thanks to these mods, “Building Steam with a Grain of Salt” has become the Poke646 theme in my mind, which was used in some big budget game. Its inclusion in Splinter Cell: Conviction seems quite bizarre to me, especially since I first heard the song through a game mod many years before. Still a good song, highly recommend you give it a listen. Can’t say if the rest of Endtroducing….. is as amazing, but I’m willing to bet it’s a solid album.

I don’t follow many hip-hop or electronica DJs, but after hearing “Building Steam with a Grain of Salt,” I could probably get into this kind of music. Hell, I loved Splinter Cell: Chaos Theory, which was mostly Amon Tobin’s work, as well as enjoying most of Crackdown‘s licensed music which was the same kind of style. Time to broaden my tastes in music…

Speaking of game music, I recently updated an old article from 2013 comparing the tunes from NES game show games to their real-life counterparts. No longer using volatile YouTube videos, I replaced them with convenient MP3s. Check it out here if you wanna read more of me getting nerdy about video game music.

Game finds 8/22/14: A whole mess of gaming junk.

Holy crap, when’s the last time I publicly documented my game finds on the blog? Seems like it was just last year when I wrote about find a “NOT FOR RESALE” copy of Streets of Rage 2, and a 20 minute video that about 3 of you watched. Let’s resurrect this old series, because I got some good stuff this time around.

Through most of 2014, I’ve found mostly cheap games, stuff like Eye Toy: Antigrav, licensed games based on The Great Escape and Starsky & Hutch, old PC games such as Mickey’s Word Adventures, even recent Game Informer issues for 50 cents each. If you’re following me on Twitter, you might’ve seen these already.

Funny enough, I found Mickey’s Word Adventures after taking advice from YouTuber Lazy Game Reviews. After mentioning him on Twitter, I found out one of my finds were in a viewer finds segment of his “LGR Thrifts” show. I was floored when I saw it too, I didn’t expect it to be featured in the slightest. (It’s at the end of this episode, if you’re wondering. Look for the magazines on green bedding.)

Back in June while I was job hunting, I went into my local Bi-Mart. I’ve mentioned Bi-Mart before when I wrote about Atari Hot Wheels, and it hasn’t changed one iota: It still feels like I stepped into a late ’80s supermarket. While perusing their games section, I found a whole bunch of these:

tumblr_n6pz9sXU2k1r42mxqo1_1280

Man, remember when the Rabbids were a thing? I can’t say I miss them.

It’s Rayman Raving Rabbids for the Game Boy Advance, sealed, for $6. I’m finding sealed Game Boy Advance games. In 2014. Even the guy at the counter was surprised, mentioning a war fighting game and a World of Warcraft expansion also collecting dust. His words: “Somebody made the wrong call on this one.” At least this copy of Raving Rabbids has a home now. I bet there’s still plenty of copies, two months later.

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The Expendabros: The broest movie tie-in game… ever?

If there’s anything I like about video games, it’s when there’s video game tie-ins to movies or TV shows. Most of the time, they get a small developer to make a crappy $60 game on a shoestring budget that’s usually long forgotten. Other times, they’re just dinky games made in Flash as a brief tie-in to an upcoming movie, such as the “Hollywood Hellfire” tie-in for This is The End. Then there’s the times where they go all out and make full-fledged free games, like that multiplayer Half-Life mod made as a tie-in to Underworld. (made by the guys who did They Hunger, no less!) Thus, when I heard about this, I got legitimately excited:

The Expendabros is a genius idea: Take the goofy machoness of Devolver Digital and Free Lives’ Broforce and combine it with upcoming The Expendables 3 and you got this amazing movie tie-in. Expendabros is freely available on Steam, and doesn’t require a powerful PC to run.

Since I had yet to play Broforce, I was skeptical with this game. I’m not one for games with pixel art styles since they’re very overdone, but if it compliments the gameplay like in Hotline Miami, I can let it slide. Broforce is a mash of action platformers like Bionic Commando, with the violent action of Metal Slug and Contra. You have one life and three special items by default, with each “bro” having its own signature weapon and special. You get more lives by saving your bros in cages, and rescuing enough bros unlocks an additional bro character to play as.

The plot is a loose recreation of The Expendables 3: Broney Ross and his crew of Expendables has to stop Conrad Stonebanks from destroying the Expendables, who will destroy them by any means necessary. In the case of Broforce, Ross must shoot and explode his way through enemies while saving his bros, eventually finding the commander or boss of the level before making a dramatic explosive escape. As you go through the game’s ten levels, you fight more powerful enemies, and even ridiculous areas like rooms with saw blades and rocket turrets everywhere. Then there’s this guy:

I'm pretty sure Stonebanks doesn't have an arsenal of mechs in The Expendables 3, but a man can dream.

I’m pretty sure Stonebanks doesn’t have an arsenal of mechs in The Expendables 3, but a man can dream.

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Conquered: Far Cry 3.

Alternate title: Jason Brody’s transformation from party animal to jungle psychopath.

Man, the Far Cry games have gone through this weird identity crisis over the years. The first game was a mostly linear, extremely difficult action game with aliens, Far Cry Instincts made your character become a mutated alien with superpowers, and Far Cry 2 was a promising game with too many stupid mechanics and probably the dumbest story to come out of a big-budget action game. To this day, I still don’t understand why people praise Far Cry 2 to the high heavens.

But Far Cry 3 has nothing to do with the others. Seems to be par for the course for Ubisoft: Instead of making a cohesive story/saga with the series, just make them like Call of Duty games where they’re mostly standalone and different, with the only similarity being a jungle theme. It seems to be working for them.

Far Cry 3 was one of my many purchases during the Steam Summer Sale this year (along with Tomb RaiderDark Souls, the BioShock trilogy…), and I bought it knowing that after the disappointment of Far Cry 2 that it could only get better from here.

Warning: Minor plot spoilers within.

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6 great Doom mods not called “Brutal Doom.”

I’m not a big fan of list articles. At best, you could find interesting stuff that might intrigue you and maybe share to your friends on Facebook. At worst, you find terrible click-bait articles that seem to be written more for a paycheck than any informative value. It’s something I’ve refrained from doing here, as I prefer writing interesting long form stuff instead.

Seriously, this is what Cracked is now. I weep for our future.

Seriously, this is what Cracked is now. Remember when they actually wrote parody articles? Probably better than “11 Amazing Things You Didn’t Know About Your Pants,” anyway.

One particular list article by Cracked irked me considerably. A recent list, “6 Awesome Hacks That Did Mind-Blowing Things With Old Games” featured some cool stuff like Iron Man or the Incredible Hulk in Grand Theft Auto IV, or the entirety of The Elder Scrolls: Morrowind in Oblivion‘s engine. Even Just Cause 2: Multiplayer Mod, where you could go crazy in the world of Just Cause 2 with hundreds of people, made the list. But what was number one? Brutal Doom.

I won’t go too much into Brutal Doom as it’s made the internet rounds everywhere over the past couple of years, but it’s championed as the “definitive way to play Doom,” with more gore, violence, Mortal Kombat-style fatalities, even a key that’s simply dedicated to flipping off enemies. It’s amazing at first, but it outstays its welcome pretty quick.

I’m gonna be honest: I think Brutal Doom is an overrated, mediocre mod. The only thing it has going for it is the ridiculous macho factor, and that seems to be championed by every average dude who always writes about the Doom mod scene. Brutal Doom is usually mentioned as “the way Doom was meant to be,” but it really isn’t. Brutal Doom isn’t the way Doom was meant to be played, it’s Doom if it was a terrible caricature of itself. It’s the Doom comic in game form.

Seriously, I wonder if there's people who love this sort of stuff.

All this does is make Doomguy look like a god damn psychopath who should be in a mental asylum, not fighting monsters.

So, as a response to the article (as well as breaking my own personal rule of no lists), I’m making a list of 6 awesome Doom mods that aren’t called Brutal Doom. These are ones that the Doom community swear by, and are more worth your time than Brutal Doom any day of the week.

As always, these require Doom to run. You can get Doom II on Steam for the low low price of $5. After that, you’ll need a source port to play these. I recommend GZDoom (for Singleplayer) and Zandronum (for Multiplayer). While these mods will work perfectly fine with the default Doom II levels, I do recommend playing these with custom PWADs, which I’ll link to as well. Unless stated otherwise, these are meant to be played in single player.

Police Brutality: Wildweasel presents Terrorists!

(idgames link)

Ever wanted to be an action hero? Terrorists! will live out your dreams of being the next Chuck Norris. Armed with only a pistol and the ability to kick dudes in the face, this mod adds real life weapons and enemies for you to fight in.

Stopping crime the only way possible: with a six shooter and a bunch of bullets.

Stopping crime the only way possible: with a six shooter and a bunch of bullets.

In addition to the weapons and enemies, there’s also a new feature where you level up your guns by killing enemies with them. Upgrades start out simple, like faster fire rate, but as you level them up, they get more crazy, like a Beretta that converts to burst fire, or a revolver that becomes a long-range rifle. Even your melee and grenades can get upgrades, from electric grenades to explosive roundhouse kicks.

Our hero, kicking robots like it ain't no big deal.

Our hero, kicking robots like it ain’t no big deal.

Wildweasel’s made some other great mods, like the WWII-inspired Nazis! (which goes great with the Egyptian themed EPIC 2), and the action packed Diaz. Terrorists became one of my favorites, only because of the weapon upgrades. The three I just mentioned are all pretty good mods for Doom, and give enough gameplay changes to make it just as fun. For those who want to live out their action movie dreams without actually getting hurt, Terrorists! will do the job nicely.

(Disclaimer: I might have a slight bias as I am friends with the guy who made this mod. It’s still high quality, though!)

Samsara

(ZDoom forum link)

Ever wanted to play through Doom campaigns with characters besides Doomguy? Well, Samsara adds characters from many old games of the era, from Duke Nukem, to B.J. Blazkowicz, even the heroes from Chex Quest and Marathon make an appearance here. Now playing as each character will allow you to use only that character’s weapons, so you can’t run around with 4-5 weapons from different games, sadly. However, that’s a compromise I can deal with considering the variety of classic characters involved.

Yeah. I'm the Ranger, a friend of mine is the Chex Quest guy, and we're fighting a Baron of Hell. Welcome to Samsara.

Yeah. I’m the Ranger, a friend of mine is the Chex Quest guy, and we’re fighting a Baron of Hell. Welcome to Samsara.

I’ve always loved crossovers between different game series, official and non-official. Samsara scratches that crossover itch. Playing as the various characters gives a much different take on Doom. Nothing’s more fun than ripping through Chex Quest as Duke Nukem, or playing custom levels like Community Chest 4 with Ranger, or bringing firearms to the world of Heretic. There’s even mods that add the enemies from those games, giving us an unusual mix that you normally don’t see in games like this.

B.J. Blazkowicz, Duke Nukem, and the guy from Marathon, all fighting on the same level. What's not to like?

B.J. Blazkowicz, Duke Nukem, and the guy from Marathon, all fighting on the same level. What’s not to like?

Samsara is meant to be played online, either fragging with friends in deathmatch or working together in co-op, with each person choosing different characters for each situation. Though you can play this single player in GZDoom, it’s not the recommended way to play this. Get some buddies together in survival co-op and rip through as many levels as possible. Just make sure you put it on random character for the ideal Samsara experience.

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