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Game Show Themes vs. Their NES Counterparts Volume 2: GameTek’s leftovers.

Game Show a Go Go / Getting Nerdy about Video Game Music
October 25, 2019
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Several years ago, I did a post where I compared game show themes to their NES counterparts. It was one of the more unique posts I’ve done, and I teased about making another part sometime. Well, that time is now.

Like part one, we’re sticking with GameTek’s output. This was originally gonna cover the rest of the NES games, but it would’ve been a bit unwieldy compared to the last one, so I trimmed it down considerably.

The earliest game show games published by GameTek were developed by Rare, as it was likely cheaper to get a contract developer to make your adaptation compared to doing it in-house. By 1990, Rare had moved on to other projects with other publishers, most notably Milton Bradley and Tradewest. But GameTek was the leader of making game show video games, and naturally they needed to keep publishing games based on hit game shows, thus they soldiered on with a bunch of different game studios tackling the other game show licenses.

This time around, we’ll cover the last few game show games published by GameTek. Two of them are shows we’ve seen on here before, but the remaining three are all new, and have their own unique little tales to each. Let’s get started.

Wheel of Fortune featuring Vanna White (1992, NES)

The NES version (composed by Barry Leitch):

COMPARED TO:

“Changing Keys,” Wheel of Fortune’s theme from 1989-1992 (composed by Merv Griffin):

Our first game is naturally the biggest. Wheel of Fortune really needs no introduction, though this is the fourth Wheel game on the NES. Though I can understand why they did this, which I’ll explain in our next entry.

This is a bit complicated. For one, the game is credited on most places (including MobyGames) to be developed by Imagitec Design, a small development studio who did occasional contract work. However, the game shares the graphical style with Talking Super Jeopardy!, which was done by people at Imagineering. If I had to guess, Imagineering is the actual developer, with music contracted out by Imagitec. Or in this case, Imagitec’s sole employee: founder Barry Leitch.

Leitch composed the music for this game, and it’s somewhat unusual for an NES game. While the theme is pretty close to the show’s theme – albeit a bit too fast – it eventually segues into this breakdown with a distinct arpeggio sound that reminds me very much of MOD tracker music, or something I’d hear on a Commodore 64.

Even the other incidental cues, one of which is a rendition of the four chimes to introduce a new puzzle, has that distinct arpeggio sound. It sounds a bit unusual for a game based on an American game show.

Though, in reality, this isn’t that weird. This is fairly common for European composers who did music for the NES. Listen to anything from Neil Baldwin, Jeroen Tel or even Tim Follin, and this music would fall right in line. Since Barry Leitch was based in Scotland, it all makes sense.

Leitch would also do the music for the SNES and Genesis adaptations of Wheel of Fortune released in the same year, so imagine this guy having to adapt Merv Griffin’s iconic theme song to three different sound chips. Quite impressive, really.

The most ridiculous light gun I own: The Silent Scope Light Rifle.

I Bought Stuff!
September 27, 2019
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It’s been a rough month for me, folks. Admittedly the drive to write wasn’t quite there for most of the month until fairly recently, and I do have some actual posts prepared to be published in October.

But for now, I’m gonna write a fairly short post. This is about something I found unexpectedly at a Goodwill. A rare relic of a bygone era. Probably one of the goofiest video game controllers I own. In a sense, this is part “here’s something interesting I own,” part “I Bought Stuff!”

I know light guns aren’t supposed to resemble real firearms anymore, but this looks so goofy.

No, this isn’t a super soaker or Nerf gun, though I can’t blame you for thinking that. This is the Silent Scope Light Rifle, a light gun made for the original Xbox. I bought this for $7, and in hindsight it probably was one of the more impulse purchases I made that I have a small bit of regret. I’ll explain why in a bit.

I won’t go into a long history about the genre as there’s much better places for such things, but here goes. Light gun games were all the rage during the 8 and 16-bit eras. Duck Hunt, Wild Gunman, Lethal Enforcers, those American Laser Games that practically show up on every system like Doom or Resident Evil 4 does these days… They were fairly popular.

Then, oddly, it slowed down. At least, on home consoles. They still got light gun games, but at a much reduced rate. Some cases like Area 51 on the PlayStation didn’t even support a light gun, opting for PS Mouse support instead, which completely ruins the fun.

It was still thriving in arcades thanks to Time Crisis and later stuff by Raw Thrills like the infamous Target: Terror. But short of Namco bringing out the GunCon 2 for a Time Crisis II port and support for games like Capcom’s Resident Evil: Dead Aim, it was practically a ghost town for light gun games during the PS2/Xbox era. Until the Wii briefly brought the genre back into the spotlight for a brief moment.

Alpha Prime: Plunging back to the world of eurojank.

From the Bargain Bin / Reviews
August 24, 2019
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As I’ve been writing about random games for years at this point, I’ve started to look back at the various cheapo bargain bin games I’ve written about. Most of them were made here in the United States and published by ValuSoft, the most infamous of bargain bin game publishers. Other times I’ve written about stuff a little lesser known, like City Interactive’s Enemy Front. But sometimes, despite owning many different bargain bin games over the years, there’s a few that made me wonder “Why the hell did I buy this?” Alpha Prime fits that bill perfectly.

A shame I have no idea who Ondrej Neff is. They should’ve done what they did with Metro 2033 and make a novelization of the game that’s somewhat difficult to read in English.

I honestly can’t remember why I bought Alpha Prime. Maybe it was $1 in a Steam sale. Maybe I saw someone show me a dumb video about it, and it looked so bad I couldn’t resist giving it a try. Regardless, I had the game in my backlog, and I felt like I needed something drastically different from BioShock 2, which I had just finished and written about recently.

Alpha Prime is made by Black Element, a development studio based in the Czech Republic. They were part of a collective called the Independent Developers Association (IDEA), founded by Bohemia Interactive. Suddenly it makes sense why the makers of ARMA and DayZ published this mid-2000s budget FPS. At least, according to the Steam store page.

Since I have a penchant for rough, janky games made in Europe, I decided to give this a try just out of morbid curiosity. Let’s just say the experience was rather… unpolished.

It looks like Arnold isn’t even interested in Livia’s advances. Wonder if that’s a side effect of the Hubbardium.

The plot goes like this: Arnold Weiss (or Arnie as some call him) is a former soldier who was stationed at Alpha Prime, an asteroid full of Hubbardium, a fictitious space rock that is said to give people special powers. After being egged on at a bar by an old fling named Livia, he goes back to Alpha Prime to help his buddy Warren, and stop his group from mining more Hubbardium. But then disaster strikes.

Those are words that *can* be used to make a sentence, but I can’t make heads or tails of it.

At least, I think that’s how the story goes. Naturally, since this was made by Czech people, English is not their first language. There is lots of stilted, awkward dialogue in this game, combined with a bunch of spelling and grammar mistakes that made it very hard to comprehend the game’s story, and I ended up ignoring it after a while.

Leaning? shooting behind cover? Yeah, this is definitely a 2000s era FPS.

Alpha Prime is a by-the-numbers FPS. Shoot dudes, try not to get shot too much, that sort of thing. The weapons are standard FPS fare for the time: pistol, shotgun, assault rifle, grenades, the works. There’s some interesting ideas, like the assault rifle being a mini gatling gun, but it acts no different than your standard FPS assault rifle.

These uses of the ReCon could’ve been useful, but most of the time it’s used to look into cameras, which isn’t really as useful.

The game does throw a couple interesting ideas, however. At one point you acquire a ReCon, a device that lets you hack into cameras and activate platforms and traps. It’s kinda neat in spots, but in most cases seeing into the next area won’t help you that much unless there’s a trap inside to make combat easier.

A little Weekend Writing about BioShock 2.

Reviews / Weekend Writing
July 21, 2019
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I’m starting a new idea for the blog called Weekend Writing.

Weekend Writing is an experiment for me to try to write more often. Some posts may be about things that I don’t think merit a full article, or may be me talking about games I’ve recently played in an attempt to play more games than I usually do.

There’s no guarantee every weekend will have a Weekend Writing post, but I hope I can stick with this idea for a while.

This still looks pretty good years later.

As of this writing, I finished BioShock 2 Remastered. Part of BioShock: The Collection, it’s one of those fancy HD Remasters that was released for the current generation of platforms and PC. I had finished BioShock Remastered back in 2016, not long after beating BioShock 2 for the first time. Since it had been a few years, I figured it was time to go back to it, just to have something to play in the meantime, and to see if my opinion has changed on the first two games.

Something I didn’t know until looking through my screenshots for this and the original: This credits sequence is different in the remaster. Looks nicer than the original.

I say first two because despite buying it way back in 2014, I still haven’t played BioShock Infinite. Maybe some day.

BioShock is a pretty cool series. A stylistic art deco first-person shooter with skills, hacking and magical abilities; the game came out in 2007 to universal acclaim, some putting it on their “best of all time” list. I’m not one of those people, though I do consider it to be a solid game.

Shout out to the artists at Irrational and 2K Marin for making a cool world to look at *and* roam around in.

BioShock shares several elements with System Shock 2, considered a spiritual predecessor to BioShock. Fitting considering both were developed by Irrational Games. Stripping away the futuristic space motif for Rapture’s 1950s look was a wide decision as it gave them a fresh, unique environment to work with. BioShock’s look and feel is something I haven’t seen in a big budget game before or since, the closest is maybe Fallout. I’m surprised this style didn’t get ripped off more.

The Crate Chronicles Return: Let’s look at a three-year-old Loot Crate.

The Crate Chronicles
June 3, 2019
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About three years ago, I had won a free year of Loot Crate through reasons I don’t really remember these days. For the first couple of months, I started writing about them as part of “The Crate Chronicles,” documenting these goofy little things. They stopped in early 2016 because I lost interest. Among other things.

The biggest problem I had – and this is not the fault of Loot Crate – is that these were often for things I had no interest in. The Avengers. Star Wars. The Walking Dead. All those TV shows and movies that are “the in-thing” at the moment. I’m so out of touch when it comes to that stuff that I can’t even feign interest. When it had something video game related, however, I was a bit more hyped.

I ended up getting the full year and let it lapse, because the monthly costs for junk I don’t really need wasn’t worth it, for the reasons mentioned above. By then, I think they expanded to other crate types, including one that was specifically about video games. But again, cost. On the bright side, I didn’t get a loot crate with an inflatable crown in it.

(Kanye West’s “POWER” starts blaring in the background)

All the Loot Crates eventually got stored away, along with a bunch of other things. But one thing made the rounds on social media lately that made me think “Hey, wait, didn’t I get that item in a Loot Crate once?” And sure enough, I did. We’re gonna talk about it, as well as the other things in there. Strap in, as I cover May 2016’s Loot Crate. Three years (and a month) to the day.

(I should’ve posted this in May, but I’ve always had trouble getting the motivation to write it until it gnaws at my brain.)

Hulk SMASH… this thing, whatever it is

The Incredible Hulk Qfig

Oh hey, a figurine based on that big green dude who punches things. Made to advertiseAvengers: Age of Ultron, it’s a nice, stylized figurine of The Incredible Hulk doing his patented Hulk Smash on some poor building. The style is a bit more cartoonish than the film it’s based on, which is a good choice.

I don’t have much else to say about this one. It’s a neat figurine, but I have no space in my house for something like this. At least it’s not a Funko Pop.

I wonder why hes wrapped around that thing…

Dragon Ball Z Shenron plush keychain

Add Dragon Ball Z to the list of “things I haven’t watched.” Well, maybe I watched it when I was a teenager on Toonami or something, my memory’s foggy on that front. Was that the version that had the “Rock the Dragon” theme song? I forget.

Anyway, it’s Shenron, that dragon dude wrapped around a dragon ball. Like in the intro and a handful of episodes. It’s nice and squishy. It even has a hook to place on your bag or on an actual keychain. It looks pretty neat, and I’m not even a fan of the series.

Now that I think about it, maybe I should’ve listened to All Systems Goku. That could’ve gotten me interested in this silly Dragon Ball stuff. It’s certainly better than what I watch these days.

Mom and ToeJam & Earl.

Personal
May 18, 2019
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(CONTENT WARNING: This post will go briefly into serious subjects, such as cancer and death.)

My mom was into video games for a really long time. Played the Atari 2600 before I was born, played stuff like Super Mario Bros. 3, Monopoly, and Sonic the Hedgehog 2 when I was young; we were both also hardcore You Don’t Know Jack fans, owning practically every edition that came out. She was really into fairly casual games, such as when DirecTV had a channel specifically for playing casual puzzle games. FarmVille 2 was something she was really into in the past few years.

By the time the Nintendo 64 came around in the mid ‘90s, the complexity of Super Mario 64 alongside the bizarre three-prong controller pushed her away from most console video games until we got a Wii in 2009. She still played Jack and the aforementioned casual games, but nothing particularly complex.

This was a pretty dope cover for a Genesis game like this.

Yet out of the many games she played, there was one game, a 16-bit classic, that she was really into, one that you wouldn’t expect considering the other games I mentioned. That game was the wonderfully Jammin’ ToeJam and Earl.

An exploration-based game where the titular ToeJam and Earl travel through various areas on planet earth to recover the pieces of their destroyed ship, ultimately to get back to Planet Funkotron. This was developed by Johnson-Voorsanger Productions, a couple of guys who had previously worked at Toys for Bob on the Star Control series of games.

A typical journey through the game.

ToeJam and Earl on the surface is a fairly simple game: Find ship pieces in specific levels without running out of lives from various hazards. Yet there’s also a bit of complexity: one could play with a fixed world of 25 stages, or a random set of levels that could be a cakewalk or a punishing challenge. Along the way, our heroes must avoid the aforementioned hazards such as bees, crazy dentists and hula girls while finding the elevator to the next floor. The two also have presents they can open to give items that could help or hinder progress, from defensive weapons like tomatoes and rose bushes to hazards like school books, rain clouds, and present randomizers.

Since the elements of presents and ship pieces could change from game to game, ToeJam and Earl is practically a rogue-like, where not every game plays the same. Pretty damn impressive for 1991.

This battle-worn copy we have came from a Blockbuster Video. They even imprinted the store name on the back of the cartridge. It’s a nice memento considering the fading relevance of Blockbuster Video.

Gun Game: My favorite multiplayer game mode.

Mods and Maps
April 25, 2019
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I’m probably gonna show my age with this one. While I don’t think I’m one of those “30 year old boomer” types that people meme about these days, I certainly have been playing multiplayer games for a long, long time. I’ve been playing them for literally decades at this point. I’ve played most of the notable ones, like Quake, Unreal Tournament, Counter-Strike, Call of Duty 4, you name it, I’ve probably dabbled in it at some point.

But sometimes I wanted more than Just Deathmatch. Stuff like Capture the Flag or Domination helped, but it just wasn’t enough. There was one mode popularized in a game that really caught my interest and was a fun mode that I wished more games did: Unreal Tournament’s Assault mode. Seriously, why isn’t this in every game???

Kidding aside, the other game mode that I’ve learned to love over the years is Gun Game. A simple deathmatch variant, the goal is mainly to kill enemies with a specific weapon, leveling up to the next weapon, and repeating this process until a player got a kill with every weapon. It’s been around for a while, and any game that features it will certainly pique my interest.

My earliest experience with the gun game concept is Soldier of Fortune. While mostly known for its excess gore and goofy Hollywood story, SOF did have its own version of Gun Game. The mode was simply called “Arsenal.” This was before the “gun game” parlance became commonplace.

Getting a kill in Soldier of Fortune was satisfying. Not because of the gore, but because of a really goofy fanfare that played each and every time. That needs to come back.

Despite the different name, it’s similar to the gun game most of us know now: A set of weapons are given to every player, with the goal of getting one kill with each weapon to win. The big differences that there was no fixed pattern of weapons, and when someone got the final kill with their last remaining weapon, instead of ending the game, they got a “big winner bonus” score and the game started anew with new weapons until the score or time limit was reached. Good for those who end up with a bad layout of weapons and can hope to rebound on the next set.

Though while I remember playing Arsenal in the mid-2000s, when the original Soldier of Fortune was mostly a skeleton crew of hardcore players by that point, the one I remembered more fondly was Counter-Strike: Source’s gun game mod.

Man, cs_deagle is a map I’ve seen constantly used in these kind of modes. Surprised no one’s copied it.

In the gun game mod for CS:S, the goal is to take out enemies of the opposing team with one of each weapon, with the famous knife often being the final level. Regardless of whatever side you were on – Counter-Terrorists or Terrorists – you needed to get a kill with every weapon. So in addition to the weapons that are available to a specific faction in the regular game, CTs still had to get kills with Terrorist-exclusive weapons like the Galil, MAC-10 and AK-47, and Ts needed to get kills with the CT’s USP, M4A1 and the AUG, just to name a few.

High Rollers: A DOS game of CGA high stakes.

Game Show a Go Go
March 31, 2019
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When it comes to video games based on existing TV shows, game show video games rarely ever get talked about. If they do, they’re often relegated to brief blurbs with ridiculous arguments like “why play this when I could watch the show?”, missing the whole point.

There’s been several dozen versions of Jeopardy! and Wheel of Fortune – most recently for the Switch, Xbox One and PlayStation 4 – with Family Feud not too far behind. There’s been a handful of games based on The Price is Right, Deal or No Deal and Who Wants to be a Millionaire?

Speaking of Jeopardy! and Wheel of Fortune, I’ve actually written about some Jeopardy! games, such as the Game Boy/Game Gear installments, as well as Talking Super Jeopardy! on the NES. Surprisingly, when it comes to Wheel, so far I’ve covered only a knockoff: Tommy’s Wheel of Misfortune. Give those a read if you wanna see more game show-related stuff.

But then there’s shows that somehow got 1-2 games, despite not being that well-known. Now You See It, Win Lose or Draw, Fun House… Even 1 vs. 100 got a few games, which as time went on has been remembered more for being an interactive Xbox Live experience more than being an Actual Game Show.

One of these lesser-known game shows that got the video game treatment is High Rollers.

I’m more a fan of Hair Rollers, myself…

High Rollers had a few runs over the years: Fairly popular runs from 1974-76 and 1978-80 with a pre-Jeopardy! Alex Trebek, and a short-lived revival from 1987-88 with Wink Martindale. Created by Merrill Heatter and Bob Quigley, who had done similar gambling-like game shows such as Gambit. Oh, and a little-known show called Hollywood Squares.

While there are more comprehensive places on the internet that’ll cover all the rules, the game basically goes like this: Two players compete to answer questions to roll a pair of dice, and knock numbers off – one each of 1 through 9 – to win prizes while avoid getting a bad roll. Winner of the match plays the Big Numbers – where there’s no questions, only dice rolls – for a chance at $10,000 big ones. It’s basically the classic board game Shut the Box but with gambling and quiz show elements.

For being called “Box Office,” they weren’t a big success.

Box Office, a budget publisher of computer games, developed and released this game. They didn’t do very many computer games, the only other standout games are A Personal Nightmare, a horror game featuring Elvira; and games based on ALF, The $100,000 Pyramid and, surprisingly, Psycho. Lord knows how making one of Alfred Hitchcock’s iconic films into a video game even works, but that’s not the weirdest “movie into a video game” I’ve ever seen.

Wink looks a bit… concerned here.

There are multiple versions of the game, but for the sake of this article I’m covering the DOS version. You’ll see why in a moment.

Ghosts I-IV for Quake: A different kind of soundtrack.

Getting Nerdy about Video Game Music / Mods and Maps
February 23, 2019
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If there’s one thing I need to improve on in my life, it’s to write something in the moment. I’ve bought plenty of games, played a bevy of mods, grabbed other assorted things for potential blog fodder…

Then I do nothing with it. This has happened more often than not, but only because I get the problem of being an ideas person and rarely act upon them. I’ve been slowly improving on this front, at least more than I was years ago.

Which brings me to this post about a game mod. I played this on a whim back in 2018, and thought it was pretty neat. While I’m currently wrapped in a few other things right now, I thought I’d write something quick for this month.

A few years back, I wrote an article praising the wonders of Red Book CD audio. CD audio tracks that would play in certain games, from PC classics like Half-Life, to even Sega CD games like Sonic CD. Unfortunately, modern technology is not too kind to the concept, as it often struggles to work properly on modern devices. In some cases, digital re-releases of games like Starsiege: Tribes didn’t even come with the CD music, removing part of the ambience.

There have been solutions thanks to source ports and game updates. For instance, playing Half-Life on Steam has all its music files as MP3s, so if the game (or a related mod) calls for that CD track, it’ll play it without needing the CD.

Looks just as good as it did in ’96.

Which brings me to a classic in Red Book audio: Quake. One of the earliest PC games to use it, popping in the CD would fill your ears with weird ambient music by Trent Reznor and his band Nine Inch Nails. Modern source ports such as Quakespasm actually support playable CD tracks in MP3/OGG formats, which means one can rip the soundtrack from their copy of Quake – or just find it on the internet, I doubt id and Zenimax care these days – and play it easily, proper looping and all.

There’s a handful of Quake map packs that come with custom soundtracks tailor-made for the level pack, such as Travail. Others outright replace the Nine Inch Nails soundtrack with different ambient tracks, like EpiQuake or Quake Epsilon. But what if I told you someone replaced Nine Inch Nails music with Nine Inch Nails music?

Ha! Now I won’t be burned by hot slag. Take that!
(Oh wait, now I can’t get out…)

“Ghosts I-IV for Quake” is an interesting mod. Replacing the original 1996 soundtrack with the entirety of Ghosts I-IV, an album by Nine Inch Nails with nothing but ambient instrumentals seems like a good fit. In a sense, Ghosts I-IV is a spiritual successor to the original Quake soundtrack, even if there’s little similarities in style.

The album itself is interesting: Frustrated by their record label, Trent Reznor severs their contract with Interscope Records and decides to go independent – for a while anyway – and released this under a Creative Commons license. This license is how the mod exists without lawyers getting involved, as it’s a free mod for a commercial video game.

Shooting switches the power of magic pellets!

There is one other feature of this mod: There’s no monsters or weapons. Now there’s mostly empty levels with switches, lifts and other assorted things, but nothing to shoot. With god mode turned on. In a sense, this changes the perspective of the game entirely. No longer a straight explosive romp, it’s strictly an exploration-based affair.

Games I beat in 2018: Enemy Front.

From the Bargain Bin / Reviews
January 16, 2019
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Welcome to the first Secret Area post of 2019. Here’s something that was several months in the making. This was mostly due to procrastination. Naturally, I’m writing about a game I finished last year, two days short of a year after I had beaten it. And it’s a callback to a post I made last June. Let’s do this.

Last year, I had written a somewhat scathing review of the 2010 Medal of Honor reboot, which took the legacy of a long-standing WWII FPS franchise and basically ruined it by being a Call of Duty 4: Modern Warfare copycat. You can check that post out here. At the end of that post, I had hinted towards a game that I had said was just as close to the original Medal of Honor games.

Okay, it’s a bit of a stretch, but it is a World War II FPS, and surprisingly a decent one at that.

Enemy Front was a shooter released in 2014 for various platforms, including PC. Released by CI Games, it was a fairly unknown budget shooter in an era where those kind of shooters were slowly disappearing due to the drought of retail games as well as the prevalence of Steam making it a newer (and cheaper!) haven for the cheap schlock of the past.

I had heard of it thanks to a certain YouTube personality. Ahoy – later a maker of wonderful flashy documentaries about Doom, Half-Life, the Amiga, and many others – had done a video chronicling the arsenal of Enemy Front. He had done similar videos before for Call of Duty and other franchises, and would later be revised to an all-purpose format with his Iconic Arms series of videos. I’m still waiting for the new season of Iconic Arms, just to see what games he uses as an example for the weapon he’s talking about.

Though, it wasn’t just a British YouTube personality talking about a budget polish-developed FPS’s weaponry that got me to snag Enemy Front. It was also dirt cheap on a Steam sale. All it takes is something to be under $5 and you’ve caught my interest almost immediately.

Broadcasting your war diaries doesn’t sound like a good idea to me.

Enough preamble. Let’s get to the meat and actually talk about Enemy Front proper. You play as American journalist Robert Hawkins as he reports the stories of a resistance front all around Europe. Later joining with resistance fighters, Hawkins must stop the Nazi menace in various locales around Europe, including during the Warsaw Uprising. A fair share of the game takes place around that Polish conflict. It’s fitting, considering developer/publisher CI Games is based in Warsaw, Poland.

Human shields are a good way to be threatening. Until they realize you just grabbed some expendable low-ranking goon.