You Found a Secret Area!

Author: beverly jane

  • WRATH: Aeon of Ruin – Revisiting an early access boomer shooter.

    WRATH: Aeon of Ruin – Revisiting an early access boomer shooter.

    Have you ever written a critique about something, then come back to it years later to see if it still holds up? I have that feeling with a lot of things I’ve played. Since I try to improve myself as a person, sometimes I have to reassess my opinions on something or if I’ve changed. With how games change from day one to day 365 thanks to the wonders of patches and Early Access, it has me occasionally revisiting stuff to see if it’s gotten better. And in this case, it’s going back roughly 4 ½ years ago… when the boomer shooter craze wasn’t at a fever pitch. I’m gonna look back at WRATH: Aeon of Ruin.

    Developed between small indie studio KillPixel Games and slightly larger studio Slipgate Ironworks, and published by 3D Realms – the new one ran by Fredrik Schrieber, not the old one that gave us Duke Nukem Forever – the game initially came out in Steam early access in November 2019, the game went through a dormant dry spell before finally being released in February of 2024, nearly five years later.

    A friend had gifted me the game back during that early access period, and I was… pretty darn harsh on the game. To quote my now out of date Steam review from that time:

    This game, on the other hand, has problems. Lots of questionable design decisions that don’t make sense. Enemies that take too much damage, on arenas where circlestrafing is not an option. An unwieldy inventory system which is counter-intuitive to the style of gameplay this wants to emulate. And whoever thought that reviving the “save gem” concept from Daikatana was a good idea needs to be smacked in the head with a baseball bat […] I cannot recommend the game in the current state it’s in. It needs some balancing adjustments to be mentioned in the same breath as the aforementioned retro FPS throwbacks.

    This game definitely didn’t have it’s balance set correctly in 2019. (Taken from the Early Access period.)

    Basically I lauded the look and style of the game, while also feeling the gameplay needed some improvement. By 2019, the concept of a retro FPS/boomer shooter requires a type of finesse to make it stand out from the others. A lot of New Blood’s work, like DUSK or Amid Evil, is a good example of this. This is more important 2024, when we’re in peak Boomer Shooter Heaven, where everybody’s getting in on the craze. So let’s see how KillPixel and Slipgate Ironworks did to improve from their early access version.

    I feel like I’m crossing the River Styx.

    A quick story primer: You play as the Outlander, an unknown figure who meets with The Shepherd of Wayward Souls, where one must find the sigils of an area before fighting a big boss at the end of three episodes. The Outlander transports to levels and defeats any monsters in their way to get the sigil at the end. Basically a little bit HeXen, a little bit Turok: Dinosaur Hunter, with a pinch of Blood and Quake for flavor. (Fitting, since WRATH is made on DarkPlaces, a source port of Quake’s engine.)

    Sharp. Pointy. Zoomy.

    Much like other boomer shooters, the Outlander has a myriad of weapons at their disposal. First is the Blade of Ruination, a good go-to melee that also has an alternate fire where you lunge forward, which is great for getting past gaps and doing massive damage to certain foes. Then there’s your usual FPS arsenal of a handgun, a double-barrel shotgun, a “Fang Spitter,” which amounts to the game’s rapid-fire automatic weapon, an acid-spitting launcher and even a railgun equivalent. There’s other weapons too, but most of these are in those early episodes. All the weapons have an alternate fire that can be useful in sticky situations.

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  • Celeste and my frustration with puzzle platformers.

    Celeste and my frustration with puzzle platformers.

    You know, there’s a kind of genre I don’t quite get why people like it: The puzzle platformer. I’ve tried playing some of the ones so highly recommended to me, only to leave with frustration and disappointment. A lot of puzzle platformers get me so frustrated that it soured the overall experience for me. But there’s one I played recently that got me rethinking my outlook on this genre, transgender memes notwithstanding.

    Celeste. The puzzle platformer from EXOK Games that came out on 2018 that has become a transgender allegory in recent years, due to some of the plot relating a lot to trans folk. Lead designer Maddy Thorson realizing her own trans journey through the game after the release probably helped a bit too. We always need more queer game designers, after all.

    I’m not gonna get too much into the non-gameplay elements here. The art style’s cool by using pixel art in a way that’s unique without feeling too much like deliberate retro bait, Lena Raine’s soundtrack is tense yet touching at the right moments (and I never got to play any of the B-sides which also sound like a bunch of bangers), and the story is rather touching and something I can relate to as someone who struggles through life. But I wanna talk about this game further cementing my belief on puzzle platformers.

    This part from Blood of the Werewolf still haunts me to this day.

    When I mention I get frustrated by these kind of games, I’m not kidding. When I think about some of the action/puzzle platformers I played for the blog last year, like Hell Yeah! Wrath of the Dead Rabbit and Blood of the Werewolf, I leave those games with frustration and anger. How one mistake will usually result in death, with little chance to redeem yourself. Some parts of these games are so malicious to the player that requires so much perfect timing that I’m surprised I haven’t thrown my controller into my computer screen after some of the bullshit I had to go through to beat it.

    This is apparently the only screenshot of VVVVVV I took. Rather fitting, really.

    But it doesn’t just apply to those mostly-forgotten niche platformers. It applies to the more popular ones as well. For example, I never finished the critically acclaimed VVVVVV. The gravity-shifting puzzle platformer with a pseudo-DOS art style and catchy chiptune music was an absolute chore to play at spots. A lot of hazards and pixel-perfect precision to make it across made it maddeningly to play, so much so that I only got about halfway through it before giving up on it.

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  • Avenged Sevenfold’s “Free For All” in Fortnite, and a story about modern crossovers.

    Avenged Sevenfold’s “Free For All” in Fortnite, and a story about modern crossovers.

    You know, for a few years I had no interest in Fortnite. I played it a bit here and there, but mostly thought of it as a thing that wasn’t really for me, that whole building-while-shooting being the biggest barrier to entry for me. Shoot a guy and suddenly they’ve built a whole castle for defense just feels old. Then developer Epic Games introduced Zero Build, which got rid of that. That, combined with Chapter 4: Season 1 introducing the Doom Slayer from Doom and Geralt of Rivia from The Witcher, were the moments whereme and my friends got hooked on Fortnite.

    With Chapter 5: Season 1 currently going as I write this, where they introduced LEGO Fortnite (their rival to Mojang’s Minecraft), Rocket Racing (a racing mode by Psyonix, the makers of Rocket League) and Fortnite Festival (Harmonix bringing the Rock Band formula to Fortnite), I’ve basically abandoned my nature of being a gaming hipster and not following the current gaming trends to go for what amounts to the new hotness. Granted, Fortnite is 7 years old as of this writing, but I still think it’s the “in-thing”.

    While Epic (and the myriad of studios they own) have been creating their own unique games within the system, I’d been curious what the Unreal Editor for Fortnite (UEFN) worlds are like, where people can make their own creations within the Fortnite universe. Most of the time it’s ripoffs of existing games like Deathrun and Gun Game, but other times it’s filled with promotions by notable brands. Honda had a driving experience for one of their cars, for example. I remember playing an experience based on hip hop musician THE KID LAROI that was mostly forgettable. In this case, we get to talk about another notable musician who capitalizes on the hottest trends.

    Avenged Sevenfold’s “We Love You” is what it says on the tin: A map featuring an arena from the music video of the titular song, released by the band back around summer 2023. This was hyped up through the band’s social media pages, with it being announced on January 12, 2024.

    Now, Avenged Sevenfold is a band that I’m really only familiar with because of their ubiquitous appearances in rhythm games. I swear, every Guitar Hero and Rock Band game came with an Avenged Sevenfold song on the set list, which means I got to hear songs like “Almost Easy” and “Beast and the Harlot” a billion times. They’re a perfectly fine metal band otherwise, probably the modern day equivalent to what Metallica was back in the ‘90s: A metal band that’s just mainstream enough that even people not into the genre can enjoy them, but otherwise very shallow for anyone really well versed in the metal genre.

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  • Some Stuff I Bought: The rest of 2023 edition.

    Some Stuff I Bought: The rest of 2023 edition.

    Well, 2023 is almost over. It’s been a tough time around in my neck of the woods, which has affected me writing any substantial articles, and I apologize for this. I’ll try to get back into the swing of things in the new year.

    For many years, I’ve documented the stuff I bought because I find it interesting. Around 2022 I started a new format where I post updates every June and December. Naturally, I’ve been keeping tabs of the stuff I bought throughout the year, and since we’re near the end I thought I’d give a recap. Lots of games and really… interesting things. At least to me, anyway.

    My collection story resumes in August. My partner and I went to a fancy little restaurant for brunch with a few friends that used to be the home of a pharmacy long ago. So much so that the current owners have embraced that location’s past, which is pretty neat. Better than the sports bar motif it used to hold for a few years. After having brunch with a few friends downtown, me and my partner went to a nearby thrift store that’s about a block or two away from the nearby restaurant we went to. Sadly I didn’t grab a whole lot, but I did grab something that caught my eye:

    50¢: Alistair MacLean’s Death Train by Alistair MacNeill

    Okay, this one’s a doozy. Alistair MacLean was one of those notable thriller novelists. He passed away in 1987, but before he passed on, he made an outline for a new series of books about UNACO: the “United Nations Anti-Crime Organization.” He wrote the story ideas, of which other authors would put them into actual books. I thought this was unusual, but this is surprisingly more common than I thought. Such as novels in the Ubisoft Tom Clancy games would be written by other writers; or for a more recent example, William W. Johnstone’s books being continued by his daughter J. A. Johnstone.

    I am not much of a fan of thriller novels, but I bought this book because I remember a TV movie adaptation released around 1993 called Detonator: Death Train. It starred a pre-James Bond Pierce Brosnan, Patrick Stewart towards the tail-end of Star Trek: The Next Generation, Alexandra Paul, Ted Levine, and freakin’ Christopher Lee. Pretty decent cast for a TV movie, honestly.

    YouTube player

    A trailer for the film that aired on USA Network around April 1993 (shown above) was being repeatedly promoted during USA Network’s 4-hour game show block that I had recorded around this time. Since I watched these tapes religiously when I was young, this particular promo has been burned into my brain. I eventually picked up a DVD copy of the film many years later and it’s a surprisingly alright movie, all things considered. It even got a sequel, Night Watch, which features a long-haired, handlebar mustachioed Pierce Brosnan. Bet it’s just as goofy as the first.

    I bet the book itself is a decent read. If not, hey, it’s a paperback I spent fifty cents on. I’m always looking for things to read when I’m bored, and need something to pass the time besides scrolling on social media all day.

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  • Mountain Dew Game Fuel: The triumphant return edition.

    Mountain Dew Game Fuel: The triumphant return edition.

    I never thought I’d ever come back to this again. The last article I ever wrote about video game food and drink was 2016, covering the previous iteration of this specific drink. I mostly left these behind because I felt like I was being a dime store Dinosaur Dracula with these kind of articles, and decided to write things of more substance.

    But if Mountain Dew – sorry, MTN Dew – is gonna go for a throwback, then I will too. Only because it was once a time-honored tradition on my blog. In 2023, as a throwback to slightly better times, Mtn Dew brought back Game Fuel as a proper soda.

    After 2017, which featured promotional flavors to advertise Forza Motorsport 7 and Middle-earth: Shadow of War, they temporarily retired the Game Fuel soda flavors. Around 2018, PepsiCo tried a stab at the burgeoning energy drink market. The new Game Fuel, now under their AMP brand, kept the yearly game promotional tradition, but I didn’t really dabble with those as I’m not really an energy drink person, if the two times I tried both Monster Energy and Red Bull are any indication. Though admittedly, I was tempted to grab them a few times. These did keep things going with yearly promotions with games like Tom Clancy’s The Division 2 and the yearly Call of Duty installment, of which I really couldn’t tell you what they were like.

    Presumably realizing the whole AMP Game Fuel thing was kind of a bust, Game Fuel returned as a special seasonal Mtn Dew flavor, much like LiveWire and WhiteOut before it. I was honestly surprised they were bringing it back, but with how the drink industry is, there’s always gonna be an audience who wants companies to bring back the Old Thing They Liked.

    Now, the journey I went through to get these flavors was… quite an ordeal. While technology has gotten better in making it easier to find things like special flavors, getting both Game Fuel flavors was quite a challenge for me. After a thrift store trip earlier in the month, I waltzed into a 7-Eleven, expecting to grab the two flavors and be done with it. Sadly, the place only had one of the two flavors: The fan favorite Citrus Cherry. Using that fancy “Find your Dew” thing on the Mtn Dew website lead me to places pretty far away from where I lived.

    Cut to a few days later. I check a local mom’n’pop convenience store and sure enough, they had both flavors. I grabbed a few bottles, of which the clerk had to use barcodes from Code Red to scan them in as Game Fuel wasn’t “in their system,” but it didn’t matter: I had finally grabbed the Game Fuel bottles for 2023, as you can see.

    Just like old times.
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  • Blood of the Werewolf: The hunt for a good werewolf game.

    Blood of the Werewolf: The hunt for a good werewolf game.

    (content warning: blood and cartoonish gore.)

    Y’know, I realized there haven’t been many good games where you play as a werewolf. Out of all the horror monsters out there, werewolves seem to be the ones who get the shaft the most. Often times they’re used as an enemy or a villain, but rarely are they ever the hero. I even asked a few folks about good werewolf games and the one suggestion I got was a quest line in The Elder Scrolls V: Skyrim. So yeah, it seems kinda dire.

    But then there was this one game I saw where you play as a werewolf that seemed kinda neat. And I have a knack for playing the fairly niche Xbox Live Arcade/PlayStation Network titles from the early 2010s, so I grabbed it. Will this game be the one that breaks that curse?

    Gotta say, that title is metal as hell.

    Blood of the Werewolf is a platforming game developed by Scientifically Proven, a studio that proudly boasts its 11-person development team, as per one of the load screens states. Scientifically Proven doesn’t have much of a major resume; outside of this game, they worked on assisting Epicenter Studios on games like Real Heroes: Firefighter and… Man vs. Wild with Bear Grylls. Now, to be fair, just because they work on what amounts to shovelware doesn’t mean they can’t put out an original game on their own. But this definitely doesn’t bode well.

    I had heard of this game because it was being one of the few games being delisted off of the Xbox 360 marketplace. I was trying to grab games that were only available on the 360, and since this had a PC release, I figured I’d just grab it there instead. In hindsight, this was probably a good move, as we’ll get into in a bit.

    This was available a few days early for patrons. Wanna get in on that yourself? Well, transform into a werewolf and howl your way over to my Patreon, where just $1 will get early access to my work. It’s fun! Like being a werewolf.

    She’s quite the resilient mother, that’s for sure.

    The story goes like this: You play as Selena, a mother who’s child, Nickoli, has been kidnapped by some monsters, and her husband has been left for dead. Armed with her trusty crossbow, she must travel the various hazards of the world to save her son and keep the blood family alive. Oh, by the way, Selena is also a werewolf. One of a dying breed, according to this game’s lore.

    This… doesn’t bode well.

    Selena in her human form has the usual platformer rules: Walk, jump, climb ladders, and shoot a crossbow. Pressing RT will shoot in the direction she’s facing, but using the right stick will have her aim at a specific angle, which can be useful for hitting enemy targets or switches.

    If you’re expecting an elaborate transformation sequence, you will be solely disappointed.

    At certain points in each stage, Selena turns into a werewolf upon a full moon, which follows common werewolf lore. In werewolf mode, she can double jump, do a forward dash with RB, and charge up a damaging shot with RT that takes a bit of time to charge. There’s other powerups you can find and switch between with LB, but for most of the game I stuck with the default dash. Playing as a werewolf is a lot simpler than playing in human form, which turns out to be a good thing, as I’ll get into. The game will switch between Selena’s two forms at certain spots, and sometimes they get quite crafty with the change.

    I knew something was off when the first level takes place in The Sewers…
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  • Avicii Invector: A rhythm game tribute to an electronic musician.

    Avicii Invector: A rhythm game tribute to an electronic musician.

    (content warning: mention of suicide.)

    My tastes in music are… rather eclectic. If you’ve ever been a longtime reader of the site, you’ve probably had me write about some of the weirdest stuff and sometimes finding good stuff in them. I end up picking up soundtracks a lot because of the licensed music. Hell, while I may not talk about it a lot on the site here, I really enjoy rhythm games. So when I saw a rhythm game based on one of the most notable EDM artists out there, I had to give it a try, even if I never heard of him before playing it.

    Is he about to drop the sickest beat?

    Avicii Invector is a rhythm game developed by Hello There Productions, a small developer based out of Gothenburg, Sweden. Originally released in 2017 on the PS4 as simply Invector, the game was updated and re-released in 2019 to more prominently feature the artist whose music was used in it, Avicii. Avicii is the stage name of Tim Bergling, a Swedish EDM musician who was a major worldwide success, releasing two major albums and a few EPs in his lifetime.

    Tragically, Avicii committed suicide in 2018 at the young age of 28. In the years that followed, there’s been work released posthumously, an Avicii museum in Stockholm, Sweden, and his family launching The Tim Bergling Foundation, a mental health/suicide awareness charity, in his honor.

    I grabbed this game on a cheap discount on Fanatical, a digital discount storefront. Since I’m a fan of rhythm games – glancing at the hundreds of dollars I’ve spent on Rock Band and Guitar Hero stuff over the past decade – I figured I could probably enjoy this game even with only knowing Avicii as “a guy who has a game dedicated to his music.”

    So I’m basically Faith from Mirrors Edge but piloting a spaceship? Cool.

    The story is rather barebones: A female ship pilot has to send things to various planets, while blasting the songs of Avicii to get from planet to planet. These cutscenes play every few songs, and while they’re mostly non-contextual, they bring a bit of life to the game’s overall feel. After all, if you’re a rhythm game, you either play it super-serious like a Rock Band or you go full over-the-top like a good chunk of the Guitar Hero games did, so for Hello There Games to go for the latter route is a wise call.

    I assure you it’s a bit more complex than this.

    Avicii Invector plays rather simply: Press buttons in time with the music for points and to build a combo. While most of the time you’ll be pressing the face buttons, sometimes you’ll also need to hit either shoulder button for lines that are on the track. Changing lanes is handled with the left stick. Higher difficulties add more buttons to press and a lot more lane shifting, which can be quite disorienting if you’re not used to it. Much like most modern rhythm games, if one hits enough notes, they can activate a booster with the triggers which doubles score for a brief time.

    While I’m used to games like Rock Band where it’s less about timing and more about making sure you hit the notes, Avicii Invector takes its cues from games like Dance Dance Revolution, where hitting notes right on time gets more points and a bigger combo. This took a bit for me to get used to, but thankfully the timing seems to be rather generous, even with that little gameplay quirk.

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  • Slingo Mystery: Who’s Gold? – A casual classic meets the modern casual game.

    Slingo Mystery: Who’s Gold? – A casual classic meets the modern casual game.

    In the many years I’ve been writing about oddball video gaming stuff, I thought I covered it all. The unofficial expansion packs, the weird cross-promotions, the mostly forgotten cheap games that came out during the 2000s. But it wasn’t until recently did I realize there was one genre I never talked much about: The hidden object game.

    A genre I haven’t really covered on here, the hidden object game involves usually finding a bunch of items inside a room to make progress. For a good long while, the hidden object genre was the go-to game for super casual gamers everywhere. I assume it’s still modestly popular, but I figure most people have since moved on to Candy Crush Saga and similar easy-to-understand mobile game offerings.

    Normally, I wouldn’t cover these, but then I found an interesting hidden object game. One mashed up with a classic online game I remember from my teen years. When I spotted this game at a thrift store, I had wondered how they decided to bring back a mostly dormant franchise and combine it with one of the most popular casual gamer genres out there. Turns out it’s quite a journey.

    James Bond this ain’t.

    Slingo Mystery: Who’s Gold? is a game developed and published by Funkitron Games – no relation to Toejam & Earl – that combines the popular hidden object game with Slingo, a game show-like game that mixes slot machines with bingo. Released around 2007 for PC platforms, this game seemed to slip through the cracks, as I didn’t realize this existed until I picked it up last year at a thrift store.

    A screenshot of Slingo Deluxe, one of the earlier offline versions of the game. Sadly, there isn’t much footage of the original online game available, so this will have to do.

    But before we get into the game itself, a small primer on what Slingo is. You have a bingo card and every spin of the reels gives you five numbers to fill the card with. Alongside the numbers are jokers – a wild card that can be used to mark any number on the column its on, gold coins – gives you extra score, and the devil, which cuts your score in half. You have up to 20 spins to fill the card, and the first to do so wins the game.

    Slingo is a game I fondly remember from my days of playing it on America Online. For people of my generation, Slingo was one of those classic games people played in the early 2000s, web 1.0-era internet. That, Yahoo Games, You Don’t Know Jack: The NetShow and Acrophobia are many of these online games I fondly remember. Sadly, most of these are gone now, or live on through fanmade clones.

    Totally forgot how jovial the Zynga Slingo joker was.

    I’ve talked about Slingo once before: Way back in 2012, covering the time Zynga licensed the game for a Facebook mobile game that was fairly short-lived. It was perfectly fine, but filled with microtransactions and nagging your Facebook friends for help, which was pretty common at the time. Thank god we kinda moved past that.

    But I’ve waxed enough nostalgia. Let’s get into the hybrid Slingo meets hidden object game that is Slingo Mystery: Who’s Gold?

    Freddy doesn’t really seem happy to be there…

    You play as Maggie Gold, a divorced, destitute woman who finds out from her friend Kyle Sparks that her ex-husband Freddy has passed, and decided to give his massive Las Vegas casino, “The Gold Casino,” to his current wife Gloria. Throughout the various areas of the casino, Maggie tries to find out the secrets of the casino, which involves a bunch of unusual item hunting and puzzle-solving.

    This is the usual fare for hidden object games: Mostly licensed properties like Gameloft’s The Blacklist: Conspiracy.

    Now, normally I wouldn’t talk too much about hidden object games. They always seemed to be the kind of genre that would flood the bargain bins of office supplies and department stores, sitting alongside a rack of cheap PC releases of games past like Braid or Far Cry 2. To me, these kind of games peaked when books like I Spy and Where’s Waldo came out. I couldn’t imagine these kind of games were anywhere near my wheelhouse.

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  • Some Stuff I Bought: First half of 2023 Edition.

    Some Stuff I Bought: First half of 2023 Edition.

    Damn, half the year has already gone, hasn’t it? Since we’re now in the back half of 2023, it’s time to give my twice-yearly update of some stuff I bought for the first half of the year.

    Admittedly, my purchasing habits slowed considerably. The beginning of the year was a rough time for me, which lead to a lot of impulse purchases. Not anything here worth blogging about, but those purchases certainly made a dent in my funds. I’ve gone out more frequently than before, but most of the time I went and checked out a few places and hung out with some folks on the weekends instead of actively seeking out stuff.

    However, that doesn’t mean I didn’t buy stuff that could potentially be article material. For instance, Who Wants to be a Millionaire: The Album, an article I wrote about back in April, was a random eBay purchase. But the hunt only works when it’s more spur-of-the-moment, not done on a computer. And of course, I did buy a few things that I think are interesting to me, at least.

    $10 at FanExpo Portland:

    Is it “Mission” or “Missiøn”?
    “SPLURP!!”

    – Baseball Kids (Game Boy, Japan)

    – Power Mission (Game Boy, Japanese version)

    Back around February, I went to FanExpo Portland. A catch-all nerd convention, but of the old-school Comic Con kind, where there’s a lot of local artists and lesser-known comic book artists alongside the headliners, which were most of the cast of Back to the Future – Michael J. Fox, Christopher Lloyd, Claudia Wells and Thomas F. Wilson – but they were asking a bit too much to see them, plus the lines were too long, so instead I settled with selfies with acclaimed voice actor Nolan North instead.

    I wasn’t really intending to shop much, but I did find a booth that had some Japanese Game Boy games, of which were $5 each. Downside is that I overpaid, as both games go for less than a few bucks each loose. Oh well.

    Power Mission did come to the States under the same name, but I figure owning the Japanese release would be amusing. A strategy game where one controls ships and planes on a grid, it probably plays similarly to the Advance Wars series of games. I honestly thought it was gonna be a Battleship knockoff, but it is far from it. And might be a bit more challenging than I can possibly play. Well, at least it has the writing of somebody’s name in Japanese, which is a nice souvenir.

    The other, Baseball Kids, is a Jaleco baseball game with a cartoony cover: A baseball player sliding into home plate, with the onomatopoeic word “SPLURP!!” drawn on it. I’m gonna be honest, I only bought it because of the cover. Baseball games of this era were fairly simple and while the game featured looked at least somewhat fun, it probably isn’t gonna be my favorite sports game.

    But I will always remember “SPLURP!!”. It’s so silly.

    SPLURP!!

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  • Total Overdose: Mex Payne.

    Total Overdose: Mex Payne.

    If there’s anything I kinda miss about gaming these days, is the sense of people copycatting ideas from other games because they became a breakout success. Sonic the Hedgehog was popular, so here’s a bunch of platformers of characters with some ‘tude. Tony Hawk’s Pro Skater rejuvenated a fading extreme sports genre and had a few copycats throughout the 2000s.

    But the biggest was around 2001, when two major franchises released that would shift the balance towards what games were for the first half of the decade: Grand Theft Auto III and Max Payne. GTAIII was a free-roaming open world game that was actually critically acclaimed. Its success suddenly had many games pivot to making GTA clones or even open worlds to drive around in an otherwise linear action game. Likewise with Max Payne‘s release, a fair share of games started taking the bullet time shooting mechanic as well, though not as big.

    Now most of these copycats are perfectly fine, solid game, but they rarely stood out unless they had some kind of gimmick attached to them. One game in particular decided to copy both of those games together, with a pinch of Mexican cinema pastiche for flavor.

    hey, watch where you point that, buddy

    Total Overdose: A Gunslinger’s Tale in Mexico is a game definitely in that Grand Theft Auto and Max Payne mold, but with a little Latin flavor. Developed by Deadline Games, a Denmark development studio mostly known for adventure games, this game has them trying to make something previously unknown to them: the third-person shooter meets open-world sandbox.

    Guess you gotta start things off action-packed somehow.

    The game starts in 1989-era Mexico as DEA agent Ernesto Cruz tries to find Papa Muerte, a major drug kingpin. While shooting his way through a Mayan jungle, Ernesto makes his escape on a plane before forcibly being removed from it. The death was reported as a drug overdose.

    Cut to a few years later, when Ernesto’s son Tommy, who’s also a DEA agent, tries to figure out the mystery of his father’s death, where he goes undercover working for some drug cartels. But an unfortunate incident at a gas station leads to him being stuck in a wheelchair and being strictly reconnaissance for the time being.

    Real smooth there, dude.

    Enter Ram Cruz: Tommy’s delinquent brother who helps him out by doing missions for the DEA in exchange for his freedom. While Tommy is kind and supportive, Ram is a massive dickhead at the start. This doesn’t last for long, though, as he eventually sheds a lot of that attitude for a more casual personality towards the end.

    Dive, shoot, survive. Easy to learn, difficult to master.

    Total Overdose starts like a conventional mid-2000s shooter for the time. WASD moves, left mouse button shoots. Since this is taking a page from the Max Payne playbook, hitting the shootdodge key – Spacebar by default – Ram can dodge and shoot enemies for bonus points. Holding right mouse button gives a more precision headshot that can be a one-hit KO if timed correctly. There’s other little tricks Ram can do, including climbing up walls and rappelling down wires while shooting, giving that sense of style that Max Payne refined just a couple years earlier.

    perhaps they took inspiration from Tony Hawk’s Pro Skater as well…
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