Tagged: Fall Out Boy

Fall Out Boy meets Asphalt 8: This ain’t a crossover, it’s a god damn car race.

So I was playing Asphalt 8: Airborne, a fairly fun if grindy racing game, and suddenly this popped up on my screen.

Is the title *supposed* to look that weird?

Asphalt 8 meets Fall Out Boy, meant to advertise their newest album? Now that’s a crossover I wasn’t expecting to see.

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Like this car? It’s cool, huh?

Admittedly, I don’t listen to a lot of Fall Out Boy. I know a few of their songs, but I always kept confusing them with My Chemical Romance and similar “emo rock” bands that permeated the landscape in the mid-2000s. From the songs I have heard from them, they seem to be an passably entertaining rock band, and I’m surprised they’re still going in 2018.

You’re probably wondering why this crossover exists. They’re a pop-rock band that hasn’t really mentioned being big racing game fans, so it seems like an ill fit, right? Well, Vivendi, the French mega-conglomerate, owns Island Records, which is Fall Out Boy’s label; as well as Gameloft, the developer behind Asphalt 8. So while it’s not completely random like, oh say, KISS Psycho Circus, it certainly doesn’t feel like a natural crossover.

 

The event goes like this: You join a new racing league, the Fall Out Boy World Tour. In it, you must build enough hype to impress the staff and members of the band to win the championship and earn a brand new car, the BMW M2 “Special Edition,” which differs from the standard BMW M2 in game by having rear spoilers and a cool paint job. You’re given a whole week in real time to do this.

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This nerd deserves a swirly.

However, the fight will be tough as you’ll be facing stiff competition, including one from the “ultimate Fall Out Boy fan,” Adam Knowles. He’ll taunt you throughout, saying he has the best tuned-up vehicle and that you’ll never beat him. As you complete challenges and gain fans, you’ll eventually have to defeat multiple AI in head-to-head races to win the championship and the BMW M2.

Some of the challenges get pretty tough as time goes on.

So how does this work? You gain fans by completing challenges in each race. Most of them are fairly simple challenges – beat the race in the target time, get first place, knockdown more cars than your opponent – others more difficult, such as requiring you to do 6 flat spins off a ramp or drift for 4,000 yards. Successfully pull off the challenge and you’ll earn fan points and build up hype. Hype increases the amount of fan points starting at 1 times the value, to 1.5 times the value, all the way up to 3x the normal value. Every normal race is 200 points, whereas the championship racers increase drastically in value as the story progresses.

Guess this race was… DEAD! ON! ARRIVAL!

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Tony Hawk’s American Wasteland Soundtrack: Where rock meets punk.

I write about a lot of random junk here. Such as writing about about having a strange collection of video game related albums in the past. Sometimes just simple soundtracks of games, other times stuff like the soundtrack of the the first Tomb Raider film, or even a set of songs featuring the cast of the Where in the World is Carmen Sandiego? game show. Struggling with what to write about to wrap up the year, I thought I’d grab one of those unexpected soundtracks and give a review to wrap up 2017.

So let’s look at the soundtrack album to the the once-yearly skateboarding franchise: Tony Hawk’s American Wasteland. Or as the CD spine calls it, “TONY HAWK’S AMERICAN WASTLAND.”

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This looks so low-quality compared to the cover it’s based on, The Clash’s London Calling.

This is the second released soundtrack album for a Tony Hawk game. The first being a “music from and inspired by” album for Tony Hawk’s Pro Skater 3, which had a bunch of songs from people who didn’t appear in the game like Outkast, Papa Roach, and Drowning Pool; while omitting good stuff like Motorhead’s “Ace of Spades.”

The soundtrack for American Wasteland only covers a small portion of the 64 (!) tracks that are in the entire game, and the 14 songs featured here are all covers of punk songs of the ’70s and ’80s like Suicidal Tendencies, Misfits, The Stooges, and even Black Flag. Considering Tony Hawk games tend to hit the gamut of multiple genres, it’s a bummer they focused on this and not the rock or hip-hop sides of the game’s soundtrack.

While I ended up finding the album at a thrift store for a pittance, you don’t have to do the same. The whole album is available on digital streaming services, including Spotify, so you can listen along with me here:

Some of these songs are by bands I’m familiar with thanks to their appearances in Rock Band or Guitar Hero — My Chemical Romance, Dropkick Murphys, Fall Out Boy, Rise Against — but the rest of the bands featured are pop-rock, post-punk or emo-rock bands that came and went. A fair share of these bands were modestly popular for the era, but unfortunately my music knowledge post-1998 is kinda like swiss cheese: it’s full of gaping holes everywhere.

Punk is also a genre I don’t know all that well besides the more mainstream representations of the genre, so in this case I ended up having to go back and listen to the originals to see if the cover is better than the original, and most importantly if it’s worth listening to Taking Back Sunday cover The Descendents.

The album starter is Senses Fail’s cover of Suicidal Tendencies’ “Institutionalized,” which was originally a deluxe edition bonus track on their debut album Let It Enfold You. Senses Fail appeared on Guitar Hero III: Legends of Rock‘s soundtrack, with a song I barely remember because Guitar Hero III wasn’t that good of a game. As for the song, Senses Fail give the song a much harsher pop-punk kind of sound, complete with slightly changing the lyrics since the original songs reference the lead singer. It’s alright, but kinda lacks the raw, do-it-yourself feeling of the Suicidal Tendencies’ original. At least they didn’t cover “Cyco Vision.”

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