Tagged: soundtrack

Ghosts I-IV for Quake: A different kind of soundtrack.

If there’s one thing I need to improve on in my life, it’s to write something in the moment. I’ve bought plenty of games, played a bevy of mods, grabbed other assorted things for potential blog fodder…

Then I do nothing with it. This has happened more often than not, but only because I get the problem of being an ideas person and rarely act upon them. I’ve been slowly improving on this front, at least more than I was years ago.

Which brings me to this post about a game mod. I played this on a whim back in 2018, and thought it was pretty neat. While I’m currently wrapped in a few other things right now, I thought I’d write something quick for this month.

A few years back, I wrote an article praising the wonders of Red Book CD audio. CD audio tracks that would play in certain games, from PC classics like Half-Life, to even Sega CD games like Sonic CD. Unfortunately, modern technology is not too kind to the concept, as it often struggles to work properly on modern devices. In some cases, digital re-releases of games like Starsiege: Tribes didn’t even come with the CD music, removing part of the ambience.

There have been solutions thanks to source ports and game updates. For instance, playing Half-Life on Steam has all its music files as MP3s, so if the game (or a related mod) calls for that CD track, it’ll play it without needing the CD.

Looks just as good as it did in ’96.

Which brings me to a classic in Red Book audio: Quake. One of the earliest PC games to use it, popping in the CD would fill your ears with weird ambient music by Trent Reznor and his band Nine Inch Nails. Modern source ports such as Quakespasm actually support playable CD tracks in MP3/OGG formats, which means one can rip the soundtrack from their copy of Quake – or just find it on the internet, I doubt id and Zenimax care these days – and play it easily, proper looping and all.

There’s a handful of Quake map packs that come with custom soundtracks tailor-made for the level pack, such as Travail. Others outright replace the Nine Inch Nails soundtrack with different ambient tracks, like EpiQuake or Quake Epsilon. But what if I told you someone replaced Nine Inch Nails music with Nine Inch Nails music?

Ha! Now I won’t be burned by hot slag. Take that!
(Oh wait, now I can’t get out…)

“Ghosts I-IV for Quake” is an interesting mod. Replacing the original 1996 soundtrack with the entirety of Ghosts I-IV, an album by Nine Inch Nails with nothing but ambient instrumentals seems like a good fit. In a sense, Ghosts I-IV is a spiritual successor to the original Quake soundtrack, even if there’s little similarities in style.

The album itself is interesting: Frustrated by their record label, Trent Reznor severs their contract with Interscope Records and decides to go independent – for a while anyway – and released this under a Creative Commons license. This license is how the mod exists without lawyers getting involved, as it’s a free mod for a commercial video game.

Shooting switches the power of magic pellets!

There is one other feature of this mod: There’s no monsters or weapons. Now there’s mostly empty levels with switches, lifts and other assorted things, but nothing to shoot. With god mode turned on. In a sense, this changes the perspective of the game entirely. No longer a straight explosive romp, it’s strictly an exploration-based affair.

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Tony Hawk’s American Wasteland The Soundtrack: Where rock meets punk.

I write about a lot of random junk here. Such as writing about about having a strange collection of video game related albums in the past. Sometimes just simple soundtracks of games, other times stuff like the soundtrack of the the first Tomb Raider film, or even a set of songs featuring the cast of the Where in the World is Carmen Sandiego? game show. I thought I’d grab one of these and give a fairly quick review to wrap up 2017.

So let’s look at the soundtrack album to the the once-yearly skateboarding franchise: Tony Hawk’s American Wasteland. Or as the spine calls it, “TONY HAWK’S AMERICAN WASTLAND.”

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An album cover homage nobody asked for.

This is the second (and final) soundtrack album for a Tony Hawk game. The first being a “music from and inspired by” album for Tony Hawk’s Pro Skater 3, which had weird choices like Outkast, Papa Roach, and Drowning Pool, while omitting stuff like Motorhead’s “Ace of Spades.”

This is only a small portion of the 60+ (!) tracks in the entire game, and the 14 songs featured are all covers of songs by punk artists of the ’70s and ’80s like Suicidal Tendencies, Misfits, The Stooges, even Black Flag. So this is a hell of a lot better than the last Tony Hawk soundtrack album.

Here’s the track listing:

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Did you think I was kidding with the typo on the spine?

Some of these are bands I’m familiar with thanks to their appearances in Rock Band or Guitar Hero — My Chemical Romance, Dropkick Murphys, Fall Out Boy, Rise Against — but the rest are fairly unknown (to me) pop-rock, post-punk or emo-rock bands that came and went. A fair share of these bands were modestly popular for the era, but my music knowledge post-1990 is like swiss cheese: lots of gaping holes.

I will admit that some of the covers, like Fall Out Boy’s cover of Gorilla Biscuits’ “Start Today” has that particular sound of the band, but for others like Dropkick Murphys’ “Who is Who” cover really threw me for a loop, especially for a guy like me who’s only familiar with “I’m Shipping Up to Boston.”

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Five random video game CDs I own.

In my many years of casually running a blog, I’ve ended up collecting a fair share of video game-related junk. Demo discs. Hot wheels cars. Even collecting bottles of Mountain Dew Game Fuel. But one I’ve gotten the most often is random video game-related music.

I have the traditional soundtrack fare of music straight from the game, but there isn’t a whole lot I could write about those. Except maybe that copy of The Legend of Zelda: Ocarina of Time that Nintendo Power was giving away to people who re-subscribed to the magazine. But I do have a fair share of stuff that’s tangentially related to video games that I think are interesting.

So here are five random video game-related CDs I own, in no particular order.

Music from the Motion Picture: Tomb Raider

This was around the time where the franchise was in a slight slump thanks to Eidos following Activision’s philosophy of pumping out a new game every year, but before the trainwreck that was Angel of Darkness. I never saw the movies based on Tomb Raider, but I heard they’re fun, popular little action flicks. Maybe that was because a certain Angelina Jolie was the titular star… (The film also features a pre-James Bond Daniel Craig!)

I honestly didn’t think the film would be filled to the brim with licensed music, but there’s a lot here, and it’s a mix of industrial (Nine Inch Nails) and electronic artists (Chemical Brothers, Moby, Fatboy Slim). A lot of it is a good example of that late ‘90s-early 2000s style of pop/industrial and hip-hop/rock sound. A lot of these are artists I’ve heard of, but the only song on here I was familiar with prior to listening was Basement Jaxx’s “Where’s Your Head At.” Which is so early 2000s it hurts.

The only thing I’m saddened by is no portions of the film’s score by Graeme Revell. That was released on a separate CD – It was common to release a soundtrack of the licensed music and a separate CD for the film’s score – but even having one or two tracks on here would’ve been a nice surprise.

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Counter-Strike Global Offensive Music Kits Series 4: Lots and lots of rock.

I’ll admit that my interest in Counter-Strike: Global Offensive has dropped off in recent months. There not being a lot of major updates is the main reason, but also because I love when they announce new music kits. Just when I thought Valve was basically saving 2017 to be the “year of CS:GO,” they drop a bomb on us:

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A bunch of gloves that are rare as a god damn knife, but that’s not what I’m here to talk about. I’m here to talk about MORE MUSIC KITS! I know this sounds silly, but I’m always interested in what musicians decide to contribute. This time, it’s all lumped into a $7 case, and they’re all “StatTrak” versions so any time you get an MVP in a competitive match, your teammates and enemies will know how awesome you are.

If you’re curious about the previous music kits, here’s the links to past music kits I’ve reviewed:

Series One: The original nine from 2014.

Series Two: The special Midnight Riders Christmas one, plus six more kits including collaborations between Valve and Devolver Digital.

Series Three: A whopping 14 kits, featuring new and returning artists, and the first Valve/Red Bull Records collaboration.

This time, we got seven music kits. Three of them are from bands from Red Bull Records, which I covered before; three more are from Hopeless Records, the band that notably had artists like Taking Back Sunday, Sum 41 and Yellowcard. Sadly those bands aren’t featured, but instead we get the B-tier bands on their catalog. The last remaining kit is from a returning musician, and it fits with the theme of rock and metal. (Hint: It’s not Daniel Sadowski.)

Like before, I’ll link to the page of the music kit at csgostash.com so you can listen along. Just click the album cover and you’re off to the races. In addition, I’ve also added highlights in underline that explain certain terminology since I realized that not everyone who follows this blog will get what I’m saying if they don’t play CS:GO. That being said, let’s get rocking.


Beartooth, Aggressive

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Beartooth is back for round two. This new music kit hits harder and is even more aggressive. We’ve also made the MVP anthem extra heavy so your opponents feel really bad after they’ve lost to you.

Our first returning act, Beartooth has another pack based on their newest album, Aggressive. Their last music kit was one of those that took a while to warm up to, but this one’s actually damn good. All the tracks are various cuts from the album, in instrumental form. “Loser” highlights as the main menu track, and their other singles “Aggressive,” “Always Dead” and “Hated” contribute to various parts of the kit from action cues to bomb timers. But they even went for album cuts for the remaining sections, such as “Censored” being one of the round/action cue timers.

Since these are the instrumentals, they really do highlight the rocking metal feel of the tracks without someone screeching over them. This also didn’t take long for me to like it, compared to “Disgusting”, which took a while for me to warm up to.

Final Verdict: If you want rocking metal, this is one I’d recommend.

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Counter-Strike Global Offensive Music Kits Series 2: Crossovers, composers, and… Christmas?

Let's ignore the stickers and look at the big prize: NEW MUSIC!

Let’s ignore the stickers and look at the big prize: NEW MUSIC!

It’s that time again. On February 12, 2015, Valve introduced a second batch of music kits for Counter-Strike: Global Offensive. I had written about the first nine late last year, and it’s become one of my more popular posts recently. If you wanna see my reviews for the first nine music kits, click here.

Since there’s new ones, I thought it’d be nice to come back and write about these brand new ones and see if they’re worth your money.

Naturally, I’m going to review these, complete with videos so you can listen along. Like before, these music kits will randomly appear in the game as an offer for $6.99, or you can buy one on the Steam Market. Right now, they’re a bit overinflated (About $10-15 per kit compared to the $6.99 in game), but they’ll eventually even out once more of them appear in the store.

I’m also gonna throw one in that came out in December, after I had written the original CS:GO music kits post. Consider these music kits part of a “Series 2,” if you will.

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A look at Counter-Strike: Global Offensive’s original music kits.

So for the past month and a half, I’ve been fixated on something a bit unusual:

When you need some jams while using the AWP on Dust II.

When you need some jams while using the AWP on Dust II.

Valve introduced “music kits” to Counter-Strike: Global Offensive. These special items replace the game’s default music with unique tracks by nine different musicians. You can get one of these offered randomly in-game for $6.99, or buy one on the Steam marketplace if you’re looking for a specific one. Alternatively you can “borrow” anyone’s music kit who has a music kit equipped, so you can give it a try in action.

I love video game music. I also tend to get nerdy about the parts of video game music most people don’t notice. Naturally when this was announced, I was excited for something that was probably done to distract us from how broken the CZ75-Auto is in CS:GO. But I was curious on what each one sounded like, and if they were a good fit.

The first nine music kits introduced. A nice mix of game composers, DJs and rockers.

The first nine music kits introduced. A nice mix of game composers, DJs and rockers.

For the sake of this, I’m gonna give sort of a mini-review of each kit. Granted, I’m not great at reviewing music, but I’ll try to review it to the best of my abilities, and link to videos that feature each kit so you can listen to them for yourself. Without further ado, let’s get started.

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Music from the Xbox video game NHL Rivals 2004: A soundtrack review.

In my recent pick-up video, I had mentioned I found this unusual soundtrack: Music from the Xbox Video Game NHL Rivals 2004. Before I get into it any further, I should explain this soundtrack’s existence. Let’s go back a decade, as we talk about Microsoft’s failed attempt at a Sports game brand called “XSN Sports.”

Back in the day, Microsoft tried to make their own Sports franchise against EA and Sega. (This was before Take-Two bought Visual Concepts from Sega.) In 2003, they introduced XSN Sports as their flagship sports game brand. Under this banner, Microsoft’s sport-focused games featured tournaments and leagues that players could make in-game to share on the respective website. The games included NFL Fever 2004, Links 2004, and Rallisport Challenge 2. Alas, they couldn’t make a dent in the competition, and the XSN Sports brand was folded one year later. The XSN service was later shut down in 2006, presumably to shift focus onto the then-new Xbox 360.

As a promotional tie-in, they released the first in the “XSN Sports Soundtrack CD Series,” featuring various songs that come from the game’s soundtrack. However, despite saying “Volume 1” on the cover, there was never a Volume 2, which is funny in retrospect.

The soundtrack CD also comes with a bonus DVD, featuring some NHL highlights from the 2002-03 NHL season, some Wayne Gretsky promos, and DVD-ROM features of the game’s cinematics, trailers, and some wallpaper. Not much to say about all this, it’s a hockey game after all. My experience with hockey games begin and end at Blades of Steel.

Licensed soundtracks are hardly new, sports games have been doing this for a long time. Hell, bands used to be hyped for having a song in the new Madden game. What makes this special is the song selection, which seems unusual for a hockey game. Then again, I don’t watch hockey, so maybe this fits in some weird way. Let’s go track-by-track, shall we?

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