Sometimes when you’re like me, sifting through thrift stores and finding unusual stuff, you sometimes find things you remember hearing existed, but didn’t know if it was real.
I’ve written about game show games in the past, from portables to knockoffs. I try my best to keep up with the current game show-related merchandise, and that includes games. Yet, this was one I wasn’t expecting to find.
Welcome to the Concentration Hellzone, human.
Concentration: The Classic Game of Mix and Match, based off Concentration, a show you might’ve heard of if you’re as old as I am, or know a lot about game shows like I do. Developed by casual game developers Freeze Tag and published by Mumbojumbo, this came out around 2007 for PCs, and is something I honestly forgot existed until I picked this up and talked about it on a recent post.
For those who never saw the game show, I’ll give a brief explanation since there are betterplaces that explain the show in more detail: Concentration was a game show that aired on television throughout the 1950s all the way until the early ‘90s. It first aired on NBC from 1958 until 1973, being a daytime staple for the network. After being canceled, the show was revived two times: Once as a syndicated show from 1973-1978, and once more back on NBC from 1987-1991; this time under the name Classic Concentration and famously hosted by Alex Trebek. Classic’s last new episodes aired in 1991, but it aired in reruns until 1993.
A sample board, from the later 1970s revival.
A combination of the board game Memory with rebus puzzles, players tried to find matches to earn prizes and eventually win them by solving the mystery rebus puzzle beneath. There were changes and rule adjustments throughout the 35 years the show was on the air, but that’s the general gist of the game.
So why I am surprised this exists? Well, Concentration is slowly becoming one of those shows forgotten by the general populace. The last time it aired anywhere in the US was in 1993, when NBC reran Classic Concentration.
From Classic Concentration, a player found a red TAKE! and a Wild Card, giving them an opportunity to steal an opponent’s prize.
Unlike other classic game shows, it never reran on USA Network’s game show block, or even on Game Show Network. This is because NBC bought the rights to Concentration back in 1958 from Barry-Enright Productions, a TV company who was a part of the big quiz show scandals at the time. Even though the later revivals were produced by Mark Goodson and Bill Todman’s production company – producers of Match Game, Family Feud, and The Price Is Right – the show was still owned by NBC. Presumably NBC was asking too much for rerun rights, hence why the only places you can watch Concentration is YouTube videos of old VHS recordings.
(Update: It seems pigs are flying and what was the impossible is now possible, as Buzzr, Fremantle’s game show channel, is now airing both the 1970s Concentration with Jack Narz and Classic Concentration on their network daily. For historical purposes, I’ve kept the out-of-date information for historical purposes.)
Through various acquisitions and mergers over the past sixty years, Concentration is now pretty much under the arm of NBCUniversal. Make a note of this, as it will come up later.
Now that I’ve given the refresher course about the show, let’s talk about this game, shall we?
It certainly looks pretty… simple. The logo looks better than other ones I’ve seen for this game, though…
I don’t go to thrift stores all that often anymore. I’ve bought too many things over the years that I should write about, but haven’t gotten the time to. It also doesn’t help that thrift store hunting is an adventure in and of itself, so I think I can’t just hit one. But I did just hit one, and it was good to me.
I’ve mentioned Deseret Industries down in Portland before. It’s where I found a bunch of old demo discs from the 90s and 2000s for real cheap. I’ve found PC games I’d never expect to find, even stuff like a cardboard long box copy of NFL Gameday fairly recently. For some reason, this store tends to give me the best luck in finding stuff I wouldn’t expect to find otherwise, whereas I could go to the same Goodwill and be lucky to find a single thing I want, let alone several.
But enough about that, what’d I get?
Well, that’s an unexpected spread of games.
Mad Dog II: The Lost Gold (PC)
Mad Dog II is the sequel to Mad Dog McCree, the fairly popular laserdisc-based light gun game. It’s probably American Laser Games’ most iconic game, next to maybe Crime Patrol or Who Shot Johnny Rock. The sequel is however mostly forgotten, however it didn’t stop American Laser Games from porting it to every system known to man after its arcade run had finished.
I honestly bought this more as a lark. These games are fairly simple, easy to memorize, and beatable within 10-30 minutes. It’s just a novelty, through and through. Continue reading…
In the many years I’ve been writing about games, I try my best to broaden my horizons and check out stuff that’s not as well known, or written about. In some cases I just end up writing about obscure first-person shooters from the ‘90s most people don’t know about. Such as Operation: Body Count.
Gotta say this is a rather dull title screen.
For those unaware, Operation: Body Count was a first-person shooter released in 1994 by Capstone Software. In it, you play as a nameless commando who has to stop the evil Victor Baloch and rescue world leaders. It had a fair share of interesting features like AI buddies you could control to help you complete floors, semi destructible environments, a map of the area to avoid getting lost, and a semi-realistic environment in the days when things looked pretty abstract.
I knew I had to get my hands dirty, but I didn’t think they literally meant it…
The game gives a really bad first impression where Our Hero has to fight the dreaded sewer rats under Baloch’s brainwashing for the first several levels. It also doesn’t help the game looks like… well, this.
This guy couldn’t stop walking into me until I backed up so we could even hit each other.
It looks like a bad Wolfenstein 3D clone, doesn’t it? Well, it uses id’s Wolfenstein 3D engine as a base, which looked pretty cool in 1992-93. Many games ended up using the engine for their games, including Apogee’s Blake Stone: Aliens of Gold and Rise of the Triad.
But then Doom happened. Basically any FPS that still had the 90 degree maze-like look of Wolfenstein looked extremely dated, especially by 1994 standards. Even Capstone’s other big FPS of the time, Corridor 7: Alien Invasion, didn’t fare so well either for the same reasons as Operation: Body Count. I wouldn’t be surprised if many FPS developers were swearing their heads off when the shareware episode of Doom hit in 1993, with its open areas, tall floors, and level geometry that went beyond 90 degrees.
Ah, to think of what could’ve been…
Despite the game’s relative obscurity, a Doom modder by the name of Impie decided to take the fairly maligned DOS game and give it a Doom-style makeover. The result is nothing but amazing. Also called Operation: Body Count, the game is similar to the 1994 Capstone original, but with significant changes that make the gameplay more fun and exciting.
I can’t see this without hearing him go “YOU LOSE!” at every opportunity.
Our Hero now has a name, Hector Juarez. The villain’s still Victor Baloch, but now instead of taking place in a single building, Juarez now must stop Baloch’s evil terrorist activities, killing big bads, and destroying anything in their path.
Sometimes you gotta kill a few big bads to save the day.
Since this is a Doom mod, it still has a lot of Doom’s trappings. Still gotta find keycards, hit switches, and shoot your way through occasional maze-like areas to make it to the goal. It’s still got some of the elements of the original, from the mod’s weapons to the hostiles you fight.
So I was playing Asphalt 8: Airborne, a fairly fun if grindy racing game, and suddenly this popped up on my screen.
Is the title *supposed* to look that weird?
Asphalt 8 meets Fall Out Boy, meant to advertise their newest album? Now that’s a crossover I wasn’t expecting to see.
Like this car? It’s cool, huh?
Admittedly, I don’t listen to a lot of Fall Out Boy. I know a few of their songs, but I always kept confusing them with My Chemical Romance and similar “emo rock” bands that permeated the landscape in the mid-2000s. From the songs I have heard from them, they seem to be an passably entertaining rock band, and I’m surprised they’re still going in 2018.
You’re probably wondering why this crossover exists. They’re a pop-rock band that hasn’t really mentioned being big racing game fans, so it seems like an ill fit, right? Well, Vivendi, the French mega-conglomerate, owns Island Records, which is Fall Out Boy’s label; as well as Gameloft, the developer behind Asphalt 8. So while it’s not completely random like, oh say, KISS Psycho Circus, it certainly doesn’t feel like a natural crossover.
“Contestant”? Is this a racing competition or a game show here?
Rarely do I ever get to talk to the producer, but hey, whatever works.
The band looks out of place compared to the fictional characters next to them.
The event goes like this: You join a new racing league, the Fall Out Boy World Tour. In it, you must build enough hype to impress the staff and members of the band to win the championship and earn a brand new car, the BMW M2 “Special Edition,” which differs from the standard BMW M2 in game by having rear spoilers and a cool paint job. You’re given a whole week in real time to do this.
This nerd deserves a swirly.
However, the fight will be tough as you’ll be facing stiff competition, including one from the “ultimate Fall Out Boy fan,” Adam Knowles. He’ll taunt you throughout, saying he has the best tuned-up vehicle and that you’ll never beat him. As you complete challenges and gain fans, you’ll eventually have to defeat multiple AI in head-to-head races to win the championship and the BMW M2.
Some of the challenges get pretty tough as time goes on.
So how does this work? You gain fans by completing challenges in each race. Most of them are fairly simple challenges – beat the race in the target time, get first place, knockdown more cars than your opponent – others more difficult, such as requiring you to do 6 flat spins off a ramp or drift for 4,000 yards. Successfully pull off the challenge and you’ll earn fan points and build up hype. Hype increases the amount of fan points starting at 1 times the value, to 1.5 times the value, all the way up to 3x the normal value. Every normal race is 200 points, whereas the championship racers increase drastically in value as the story progresses.
Over the many years I’ve been collecting games, I’ve always found particularly unusual game show games. Besides the common Jellyvision/Jackbox collective, I’ve found stuff like Outburst, a board game that decided to become a poor man’s You Don’t Know Jack; Another Jack clone that was endorsed by MTV’s TRL, the list goes on. I even have Pat Sajak’s Lucky Letters, which makes me one of the 34 people who bought a physical copy, and that’s also worth talking about. But this one’s a bit different. It comes from across the pond, and features one of the most notable fads of the mid-2000s…
I wonder if us Americans thought Carol Vorderman was like Mavis Beacon.
It’s Carol Vorderman’s Sudoku. A somewhat obscure Sudoku game, this came out courtesy of Secret Stash Games, a weird Eidos Interactive imprint. Though Empire Interactive is also credited on the box and in the game itself, which mostly published games in the UK (and were the original distributor there, presumably).
So you’re probably asking: Who the heck is Carol Vorderman, and why is she endorsing a Sudoku game? I’m going to assume the people reading this post are not from Britain and/or game show nuts, so I’ll give the skinny on who she is: Carol Vorderman is a long-standing television host, being the co-host for a British game show called Countdown.
Countdown is a fairly simple game show where players either try to come up with the longest word from a semi-random pick of letters, or solve a mathematics puzzle by hitting a target number with six randomly chosen set of numbers.
Carol solving a particularly devious numbers round.
Vorderman was well known especially for the latter, sometimes getting solutions to the math problems that even the players couldn’t figure out. She was on the show for a very long time, from the show’s early beginnings until 2012. She’s almost like Britain’s Vanna White, but does more than touch screens and clap all day.
As for Sudoku, it’s a little more complex. A long standing game that got an unusual resurgence around the mid 2000s, the game involves placing the numbers 1 through 9 on a 9×9 grid split into 3×3 subgrids. The goal is to make it so each row, column, and subgrid have one of each number without any duplicates. It’s a nice mental puzzle that gained traction in unusual ways, and it’s one of the mini-games in Nintendo’s then-popular Brain Age games. It’s certainly more enjoyable than Jumble or Crossword puzzles, anyway.
Presumably this was made for a pittance, since this was around the time Phoenix Games were churning out sub-par budget games in the UK, so this likely got tossed in that same pile. Though in my case I only paid a few bucks for it at a gaming convention, so it’s no big loss.
So here’s the first problem I have with this game. Carol Vorderman doesn’t have the name recognition that someone like Gordon Ramsay or James Corden has outside their native England. Had I not told you who Carol Vorderman was, you would probably assume she was a fictitious entity like Mavis Beacon.
But I assure you, she’s a real person who endorsed a Sudoku game, and for some reason somebody thought it was fitting to bring it here without any context of who she is or where she’s from.
This looks like this was made in like five minutes while the Ui designer was taking a bathroom break.
But enough about what person gets to endorse the sudoku game, let’s get back to the game itself. The version of Carol Vorderman’s Sudoku I’m playing on is the PS2 version. Though it did get a PC release, I couldn’t get it to work on Windows 10. I assume both versions are identical in terms of content, but when it comes to something like Sudoku, you can really only change so much. Continue reading…
So let’s look at the soundtrack album to the the once-yearly skateboarding franchise: Tony Hawk’s American Wasteland. Or as the spine calls it, “TONY HAWK’S AMERICAN WASTLAND.”
An album cover homage nobody asked for.
This is the second (and final) soundtrack album for a Tony Hawk game. The first being a “music from and inspired by” album for Tony Hawk’s Pro Skater 3, which had weird choices like Outkast, Papa Roach, and Drowning Pool, while omitting stuff like Motorhead’s “Ace of Spades.”
This is only a small portion of the 60+ (!) tracks in the entire game, and the 14 songs featured are all covers of songs by punk artists of the ’70s and ’80s like Suicidal Tendencies, Misfits, The Stooges, even Black Flag. So this is a hell of a lot better than the last Tony Hawk soundtrack album.
Here’s the track listing:
Did you think I was kidding with the typo on the spine?
Some of these are bands I’m familiar with thanks to their appearances in Rock Band or Guitar Hero — My Chemical Romance, Dropkick Murphys, Fall Out Boy, Rise Against — but the rest are fairly unknown (to me) pop-rock, post-punk or emo-rock bands that came and went. A fair share of these bands were modestly popular for the era, but my music knowledge post-1990 is like swiss cheese: lots of gaping holes.
I will admit that some of the covers, like Fall Out Boy’s cover of Gorilla Biscuits’ “Start Today” has that particular sound of the band, but for others like Dropkick Murphys’ “Who is Who” cover really threw me for a loop, especially for a guy like me who’s only familiar with “I’m Shipping Up to Boston.”
2017 marks the tenth anniversary of the best damn music game franchise in video game history. I’m talking about the most awesome fake plastic rock game around: Rock Band. Screw your DDRs, your Beatmanias, and all that. Rock Band is where it’s at.
And thus, a franchise was born.
Sadly I didn’t get into the instrument rhythm genre until 2009, the year Activision totally thought releasing six Guitar Hero games at $60 a pop was a sound business decision. GameStop was already giving away excess Guitar Hero II 360 guitars when bought with Guitar Hero: Aerosmith, which was on sale for $10. Needless to say, this gave me an easy way to get into the genre proper, after my previous experience of sucking on Even Flow on Easy in Guitar Hero III. I later snagged the then-recent Rock Band 2 a few months later. Alongside getting The Beatles: Rock Band set for Christmas that year, that was when my Rock Band journey truly started.
The first Rock Band is 10 years old, and I’m gonna celebrate it by pointing out how proud Harmonix was of its new features.
Oh Harmonix, you cheeky little goobers. (This is probably using a fake song as this doesn’t match any song in the game.)
Rock Band was the first western game to implement not just guitar and bass, but drums and vocals as well. Using their experiences from making tons of Karaoke Revolution games, as well as making drums simple and complex, they made a game that became one of the best damn party games around. Provided you had the room and space to hold all the plastic instruments.
But there was another feature that they were particularly proud of: The Big Rock Ending.
Ram on those buttons! Slam those drums! Annoy your neighbors!
In older Guitar Hero games, a fair share of songs ended up with a ridiculous flurry of notes, which was an annoying shift after playing something like “Smoke on the Water”. To counter this, Harmonix introduced the Big Rock Ending. In this, you just strum any note, and bang on any drum to amass points, then hit a specific set of notes at the end. Hit them all, you successfully bank the bonus. A single miss, and it goes up in smoke. Literally.
This solved the problem Harmonix had with the Guitar Hero games at this point. Give them the chance to be a rock star while not making a song harder than it needed to be. They were very, very proud of this new feature. Naturally they had to pad part of the 58-song setlist with them.
In some places, this works out. Stuff like “Flirtin’ with Disaster”, “Timmy and the Lords of the Underworld” or the cover of “Green Grass and High Tides” fits it perfectly considering how the song is. In others, well… Not so much.
Hey, y’all. I’m really sorry about the dearth of updates as of late. For the past few months, I’ve been down in the doldrums. No drive to write, to make videos, to stream. Sometimes, something comes around that seems pretty neat and I’ll write about it. I haven’t missed a single month in the blog’s 5+ year history, and I’m not breaking the chain any time soon, so I felt it was time to write again.
Having a yearly tradition on this site helps a lot too.
Oh hey, it’s that logo again.
2017’s Portland Retro Gaming Expo happened last weekend, and it’s always a hoot to go. The cool deals, the amazing art, walking around the show floor and accidentally bumping into people like MetalJesusRocks and Bob Mackey of Retronauts among other notable people in the gaming internetosphere, the works.
Of course, as you can tell by the subject, I bought a few things.
Admittedly, at this stage in my collection career, I’ve slowed down in my collecting quest considerably. Most of the iconic games or systems that I’d want are just way out of my price range, especially for someone with fairly low income like myself. Though, seeing someone sell stuff like a JVC X’eye – a Genesis/Sega CD hybrid – or even visual novels entirely in Japanese is at least worth a look even if I can’t pony up the cash to own them.
However, I did walk away with a few things of interest, at least to me. Let’s go!
$2 – Soldier of Fortune: Gold Edition (PS2)
Soldier of Fortune is one of those underrated gems. While on the surface it’s a boilerplate action game with a clunky inventory system, the appeal was the occasionally mentioned GHOUL system, where you could literally blow limbs off with a shotgun.
Cranking the violence factor to 11 was literally the game’s appeal, as the first level gives you the shotgun real early to show off this GHOUL technology. Otherwise it’s an action movie game with some military leanings that existed in a pre-Call of Duty: Modern Warfare world.
Sadly, it may never get re-released digitally, because Activision often doesn’t care about their older franchises, plus the costs of relicensing the Soldier of Fortune name from the magazine of the same name probably wouldn’t recuperate costs to do it, even with frequent GOG and Steam sales. A shame, really.
2020 Update: Soldier of Fortune Gold, SOF II: Double Helix and the oft-maligned Payback are now available on GOG. I’d say the first two are worth playing. The third one I never played, though it’s by famous developer Cauldron, of which I talked about one of their previous games, Chaser, a few years back, so it’s probably some passable eastern-european jank. Get these while you can!
I own the original on PC – albeit it’s the later Platinum Edition release; and a Dreamcast release oddly published by Crave Entertainment. I didn’t know a PS2 version existed. Surprisingly, this was also not published by Activision, but rather published by a pre-Advent Rising Majesco.
They also touted four player split-screen multiplayer, as well as USB mouse and keyboard support, which puts it in the rare league of PS2 games that support mouse and keyboard for something besides text chat. Other games that use this include the ports of Half-Life and Unreal Tournament, and according to my friend weasel, Dirge of Cerberus: Final Fantasy VII, oddly.
It’s been a while since I covered a modification, but that’s because I don’t pay a lot of attention to the various mod scenes. It also doesn’t help that lately I haven’t played anything new, and often getting myself into a rut. But did you think that a Nintendo 64 game from 1997, one of the biggest first-person shooters of that era, would have a mod scene?
No, I’m not talking about Turok: Dinosaur Hunter – besides, the mod scene is strictly on PC these days – I’m talking about Goldeneye, Rare’s groundbreaking first-person shooter released on the Nintendo 64.
Goldeneye isn’t my most favorite James Bond game – that’s Nightfire, specifically the console version – but I still respect it as a good game that made a huge impact for first-person shooters on home consoles. So I was surprised to see that the game had a modding scene. Definitely not as big as the ROM hacks of Mario or Sonic, or even the thousands of Doom mods; but significant enough to be noticed.
Unfortunately, it seems to be a “separate the wheat from the chaff” problem, as this video from The Kins proves:
(video credit: The Kins)
Thus I didn’t pay too much attention to the scene, since it seemed to be fairly amateur. But then a friend brought this mod to my attention, and suddenly my interest in Goldeneye modding scene was piqued.
Not the real film sequence but an incredible simulation!
Enter Goldfinger 64, a total conversion for Goldeneye that covers the story of the 1964 James Bond classic, Goldfinger. Goldfinger isn’t one of my favorite Bond movies either, but I understood that it was the turning point for the film franchise. A little less grounded in reality, with goofy villains, iconic film quotes (“Do you expect me to talk?” “No, Mr. Bond, I expect you to die!”), and a time where you could have a character named “Pussy Galore” and not it be the butt of a terrible joke.
While I’m more a fan of the latter eras of Bond films – partially because I don’t like Sean Connery as a person, regardless of his acting abilities – Goldfinger is a goofy romp and a good starter James Bond film for a new fan. So let’s see how this team of modders took the engine of a 1997 game and based it on a 1964 film, shall we?
Here’s something you’d never see Sean Connery do: dual-wield Luger P08s.
One thing Goldfinger 64 does is expand on the film’s initial pre-title sequence. While the film only hinted towards Bond blowing up a drug lab and eventually getting in a fight with a cuban hitman, the game expands that into a three level challenge, hitting most of the story beats, but with some embellishments. Such as Bond just shooting the cuban hitman rather than throwing him in a bathtub and electrifying him with a fan.
Protip: Don’t shoot the explosives unless you want to be in a fiery grave.
It does become a bit of a tough start as you have to actually plant the charges on explosive red barrels, akin to Silo in Goldeneye. In comparison, on Agent difficulty in Goldeneye, all you had to do was do the fancy bungee jump off the Dam. Despite this slightly tougher initial challenge, I was able to get it through after a few tries.
The difficulty of adapting a film that’s not especially action-packed can be difficult. I was concerned because the Connery era of James Bond films — save for the latter films like You Only Live Twice and Diamonds Are Forever — were not really action-packed shoot-em-up romps. For example, EA made an adaptation of From Russia With Love back in 2006 and bastardized a rather good movie with terrible plot and gameplay decisions. Yet, the modders who made Goldfinger 64 figured it out very well.
I’m surprised she can tell considering there’s nothing out there.
The film version of the hotel scene where Bond simply meets Jill Masterson is expanded into a minor shootout amongst various men as you find the key to get into the room, and it plays out surprisingly well. Goldfinger 64 even has Bond doing a bit of espionage sections, having to overhear the conversation between Goldfinger and his contact at Auric Enterprises, and recreating the scene where Goldfinger shows off his deadly nerve gas to potential buyers. While there are fairly slow sections like that, there’s not a lot of downtime where you’re not shooting up guards.
Another thing you’d never see Sean Connery do: Shoot guards in an Aston Martin with a M1 Carbine!
Hell, even the scene where Bond meets with Tilly Masterson ends up being a drive-by shooting section, complete with a drivable Aston Martin, so it plays like a brighter, entertaining version of Streets from Goldeneye.
They even got the most iconic scene in game form. Impressive considering the engine the game runs on.
I gotta hand it to the guys who made this mod: It hits all the story beats of the film, while also making sure the film adapts well to being a game. A few of the levels do get a bit confusing at spots, especially one later level where Bond has to meet Pussy Galore the night before she does the fly-by, but I’m willing to blame my inexperience in playing what is technically an “old” shooter.
It’s not 100% perfect, though. There are some model glitches, excess fog in spots, and even a spot where I opened a door that wasn’t supposed to be opened, leading to a blue abyss. Though some of these I might chalk up to the emulator I was using rather than the game itself.
I dare not go where one can’t see what’s ahead.
Much like Goldeneye, there’s bonus levels once you beat the game, but they unlock only on higher difficulties. There’s even new cheats and target times, so this is practically a sequel to Goldeneye if The World is Not Enough and Perfect Dark did not exist. If you’re a fan of Goldeneye the game, I recommend checking this out. Even if you aren’t a big fan, this total conversion is pretty amazing.
Even their model of Connery as Bond looks pretty damn good.
You can get it here, but it does require some trickery to get it to work. You’ll need a Goldeneye ROM (available separately, find it yourself), and the Goldeneye Setup Editor to take the XDelta file of Goldfinger 64 and merge it with a Goldeneye ROM to get it to work. After that, you can slap it into an N64 emulator and go nuts. I used a modified emulator called 1964 which has proper mouse and keyboard support for Goldeneye, Perfect Dark and modded ROMs like these. It’s the best way to play these games, honestly, since the N64 controller is kind of a mess. Though this mod apparently does work on actual hardware, as there’s video proof of it on YouTube.
You know, I just realized it’s called “Goldfinger 64” because the film was released that year, and the game it’s a modification of was on the Nintendo 64. Those cheeky bastards.
This post is gonna talk about something that isn’t really a video game. I mean, an electronic toy could be considered a “video game” in the loosest sense, but it’s one of those things that is so cool to me that I can’t help but write about it. Plus it’s game show related, and anyone who follows the blog knows I’m a big game show nut.
It’s so weird seeing the familiar pudgy Drew Carey nowadays. Even these days he seems a bit slimmer than how he used to be.
It’s the fabulous, less-than-sixty-minute Price is Right electronic game! Released in 2008, this tries to replicate some of the iconic elements of the classic TV game show. This features Drew Carey on the cover, and was released during the “growing pains” period when Drew took over the show after Bob Barker’s retirement.
While there were some good moments during those first few years, Drew was still trying to find his footing, especially after taking over a show hosted by a television legend. Disappointingly, his voice isn’t in the game, he’s just on the box art.
The device in all its tiny glory.
This particular one is produced by Irwin Toy, a company that’s been around for a long time and seems to still be kicking around making stuff. They’re not as big as Hasbro, but they’re certainly not dead, compared to Tiger Electronics. They’re kind of one of the B-tier toy companies.
Surprisingly, this isn’t the first electronic game based on The Price is Right. The first one was made by the infamous Tiger Electronics, makers of quality LCD games. While it wasn’t inherently bad, it did try to follow the formula their previous LCD game show games did, but now with lots of unnecessary cards that made it a lot less convenient for the format. Made it a pain to play if you were traveling, that’s for sure.
Cards, cards and more cards! Try not to lose them.
Up to four players can play in this version of The Price is Right. The electronic game plays like a loose version of the TV show. You input the 3-digit code for each prize or game, and the game goes from there. Cards with a green border are used as item up for bids on Contestants Row. Cards with a blue border are for the pricing games. Finally, cards with a red border are saved for the exciting Price is Right Showcases at the end of the show. Continue reading…