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James Bond 007 The Duel: The lesser-known Bond video game.

It feels weird these days that there’s no James Bond video games being released. The last major James Bond game was 007: Legends in late 2012, made to advertise the then-new Skyfall film. Activision revoked the James Bond licence the following year, and unfortunately killed off the wonderful Eurocom in the process. Since then, nobody has come up to the plate to bring the titular spy back in a big-budget licensed game. A shame, really.

While most people probably remember the heyday when Nightfire was the in-thing, or even tried to give stuff like 007 Blood Stone a try, James Bond games have been around much, much longer. There’s so many of them, more than you’d expect. Most of these are fairly quick to talk about, except for one that came out in the early ‘90s.

But before Activision, before EA, even before Goldeneye 007 was having people go Slappers Only in The Basement, there was those really awkward years throughout the 80s and 90s.

 

Before Nintendo published James Bond 007 and the famous Goldeneye, there wasn’t really a definitive publisher of James Bond games. Parker Brothers put out a passable action game on the Atari 2600 where you play as one of Bond’s fancy cars rather than the character. Mindscape published a few Angelsoft text adventures – written by James Bond historian and later Bond book author Raymond Benson – at one point even Interplay got in on the Bond thing, taking Delphine Software’s Operation Stealth and slapping the James Bond license on it, changing only a few names here and there. But the primary publisher for a lot of Bond games during this period was British publisher Domark.

When Domark had the license throughout the late 80s to early 90s, they released many different kinds of games. Often times these were action games inspired by existing games, like the game based on The Spy Who Loved Me being a passable Spy Hunter clone. There were also games based on Licence to Kill, Live and Let Die, and The Living Daylights.

I do not recommend actively seeking out these games. If you’re morbidly curious, find a cracked copy where you can turn on cheats. A lot of these games are stupidly hard, probably to cover up how little there was in overall game content. For example, Licence to Kill can be beaten in less than 15 minutes if you’re skilled enough. Probably wasn’t worth the $50 price tag with that little gameplay value.

While most of these games were on home computers, there was a James Bond game on home console and it was quite an interesting little piece, and I’m not talking about that busted THQ game based off the short-lived James Bond Jr. TV series. No, I’m talking about what ended up being Domark’s final James Bond game: James Bond 007: The Duel.

Domark really loved using this publicity photo from Licence to Kill, didn’t they?

Released in 1993 for the Sega Genesis/Mega Drive and Game Gear, this is an action-based platformer. Developed by “The Kremlin” – in reality Domark’s in-house development team – this is the only James Bond game to appear on Sega platforms. Surprisingly this is not based on an existing film, but rather an amalgamation of various elements of Bond films up to that point.

This also got a Master System and Game Gear release, mostly identical to the Genesis game gameplay wise, but for the sake of this article I’m covering only the Genesis version.

It even features Timothy Dalton as Bond. At least, a video game rendition of him. This is interesting because he hadn’t done a Bond film since 1989’s Licence to Kill, and this was around the time where the James Bond franchise was in limbo because of legal problems between MGM and United Artists. Dalton would leave the role in early 1994, with Pierce Brosnan being the next James Bond later that year. Had this game come out just a little bit later, we probably would’ve gotten Pierce Brosnan making his James Bond game debut here. Oh, what could’ve been.

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My e-Reader Card Collection: Nintendo’s Last Straw.

I have made a fair share of questionable purchases over the years. Back when I was still a Nintendo apologist, during the heydays of Gamecube puttering along way behind the PS2 and when the Game Boy Advance was king of all portable gaming, I had bought stuff that in hindsight wasn’t that useful. Such as the GBA-GC link cable that connected a GBA to a Gamecube to transfer data, or in the case of games like Final Fantasy Crystal Chronicles, have all the action take place on the GBA.

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Doesn’t this look neat at first glance? Oh, if only.

But that isn’t nearly as much in terms of questionable purchasing decisions as me buying into Nintendo’s e-Reader. Not to be confused with an eBook reader, the e-Reader was a Game Boy Advance add-on where you could scan cards with codes printed on the side to get cool goodies. It sounds like a good idea on paper, but the execution was poor: Games sometimes needed 3-10 codes scanned to play something, you could only hold one thing on the e-Reader’s memory at a time, and you needed a GBA link cable if you wanted to transfer anything from an e-Reader to another system, or the Gamecube.

It was a mess. Needless to say, Nintendo of America wasn’t having more of this and discontinued the thing around 2004. Thus leaving me with a bunch of cards I had acquired that I didn’t really have much use for anymore.

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52 e-reader pickup (digital photography, 2018)

Over 15 years after the e-Reader came out, I still have the damn cards. And I’m gonna show some of them off here. Now, these aren’t the most rare, or the most valuable, these are just cards I find interesting, because they have a story to them. Note I’m only gonna list cards I personally own, as much as it would be interesting to write about Japanese exclusive e-Reader cards, I don’t have those.


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Props to Nintendo for using the original Famicom cover art, at least.

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One of the two pack-in classic games – the other being Pinball – this was part of the “Classic NES Series” which featured almost nothing but early NES games, the ones you see crop up everywhere on Nintendo platforms: Donkey Kong, Balloon Fight, Ice Climber, even much-maligned brawler Urban Champion got the e-Reader treatment.

The first card shows how to play the game, with each subsequent card giving some important tips on how to play and eventually master the game. It’s nice considering people even of my generation never grew up on the older NES catalog, but them not being based on more “powerful” NES games like Super Mario Bros. really made this particular series only interesting to diehard Nintendo fans.

It also didn’t help it came on five cards, with one set of two dot codes each. That’s 10 codes I had to scan to play this thing. Worst off, if I wanted to play any other game, I had to remove the game from memory, thus requiring me to scan all ten codes again if I wanted to replay it.

Funny enough, some of these games later got treatment as part of a brief stint of a different “Classic NES Series,” which was on traditional cartridges. These featured more of the NES classics you’d be familiar with, like The Legend of Zelda and Metroid. Why scan 10 codes of Ice Climber when you could buy the same thing for a higher price on a traditional cartridge? Nintendo probably didn’t think that one through too well.

I’ve seen some of these Classic NES Series card packs on sale during the Portland Retro Gaming Expo, and I sometimes get the temptation to get another one of these. Then I realize I’d have to scan 10 codes, and I could play that game elsewhere with less hassle.

…Have I mentioned I hated having to scan 10 freakin’ codes yet?

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Games I beat in 2018: Medal of Honor, the mostly forgotten 2010 reboot.

Hey folks. Sorry that my posting is still somewhat erratic at the moment. Things have been going on in my life, and for a good while I didn’t have anything interesting to write about. I’ve amassed so many junk items over the years that they’re all strewn about in my room, hoping one day they’ll be played and/or written about.

So instead of struggling to think about something, I’m gonna do some posts about some of the games I’ve beaten throughout 2018. Surprisingly it is a small list, as I had fallen into the trap of playing the same quick pick up and play games instead: Killing Floor 2, Payday 2, Asphalt 8: Airborne, and more recently, Quake Champions.

Despite having a massive backlog, I still did finish a few games throughout the year. This was originally gonna be a post with two reviews, but this particular review got so lengthy that I had to split it up.

So let’s talk about a failed reboot of an iconic franchise, shall we?

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Mr. DudeMcLargebeard getting ready to shoot the evil people.

(Warning: Spoilers for the story of Medal of Honor 2010 and Call of Duty: Modern Warfare 2 lie within.)

Back around 2014, I had written (but oddly didn’t publish) a thing about Medal of Honor: Airborne, which I had replayed because a friend was streaming the game. It’s one of his personal favorites, and while I liked some elements of it like being able to drop anywhere on the in-game map, or even the creative weapon upgrade system, it just felt like a tired shooter going through the motions, and was going beyond the more historical angle of Medal of Honor, even having Nazi super soldiers wielding MG42s like it was nothing.

At the end I had written something to the effect “It’s not as amazing as Frontline or Allied Assault, but it’s probably better than Medal of Honor: Warfighter.” At the time, I hadn’t played the most recent Medal of Honor games, and 2018 felt like the time to tackle Medal of Honor 2010 – as I’m gonna call it from here on in, to distinguish it from the 1999 original – and I felt disappointed all the way through.

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I finished this back in January, as the very first game I beat in 2018. This was not a good start to the year.

Realizing World War II games were on their way out after a near ten-year period of them constantly coming out, EA was in a bind. Medal of Honor was considered this prestigious franchise, and they didn’t know where to take it. Their solution was to see what their competition already did three years prior and follow suit: Go modern, and see if it stuck.

The problem was that this came out right after the extremely successful Modern Warfare 2, and was out the same year as Call of Duty: Black Ops – probably in my top three favorite Call of Duty games for various reasons – so already EA was climbing a very, very steep hill. With Medal of Honor 2010, EA didn’t get to the top, but instead slipped and started rolling down the hill, giving themselves bruises and broken bones along the way.

Gameplay wise, it’s a boilerplate roller coaster of a modern military shooter. Shoot the bad guys, reload, occasionally use a grenade launcher or call in airstrikes. Right click aims, Left click shoots. Occasionally you get medals for headshots or multikills, a holdover from Medal of Honor: Airborne that doesn’t make sense here. There’s even a level where you’re in a helicopter. Occasionally soldiers go “hooah” and speaking military lingo so frequently that it’s almost self-parody.

Even something like this has been done, and done better elsewhere.

It’s clear Danger Close was glancing at what Call of Duty 4 did years prior, and tried to copy it, but didn’t understand what made Call of Duty 4 such the blockbuster success.

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Concentration: A casual adaptation of a classic game show.

Sometimes when you’re like me, sifting through thrift stores and finding unusual stuff, you sometimes find things you remember hearing existed, but didn’t know if it was real.

I’ve written about game show games in the past, from portables to knockoffs. I try my best to keep up with the current game show-related merchandise, and that includes games. Yet, this was one I wasn’t expecting to find.

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Welcome to the Concentration Hellzone, human.

Concentration: The Classic Game of Mix and Match, based off Concentration, a show you might’ve heard of if you’re as old as I am, or know a lot about game shows like I do. Developed by casual game developers Freeze Tag and published by Mumbojumbo, this came out around 2007 for PCs, and is something I honestly forgot existed until I picked this up and talked about it on a recent post.

For those who never saw the game show, I’ll give a brief explanation since there are better places that explain the show in more detail: Concentration was a game show that aired on television throughout the 1950s all the way until the early ‘90s. It first aired on NBC from 1958 until 1973, being a daytime staple for the network. After being canceled, the show was revived two times: Once as a syndicated show from 1973-1978, and once more back on NBC from 1987-1991; this time under the name Classic Concentration and famously hosted by Alex Trebek. Classic’s last new episodes aired in 1991, but it aired in reruns until 1993.

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A sample board, from the later 1970s revival.

A combination of the board game Memory with rebus puzzles, players tried to find matches to earn prizes and eventually win them by solving the mystery rebus puzzle beneath. There were changes and rule adjustments throughout the 35 years the show was on the air, but that’s the general gist of the game.

So why I am surprised this exists? Well, Concentration is slowly becoming one of those shows forgotten by the general populace. The last time it aired anywhere in the US was in 1993, when NBC reran Classic Concentration.

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From Classic Concentration, a player found a red TAKE! and a Wild Card, giving them an opportunity to steal an opponent’s prize.

Unlike other classic game shows, it never reran on USA Network’s game show block, or even on Game Show Network. This is because NBC bought the rights to Concentration back in 1958 from Barry-Enright Productions, a TV company who was a part of the big quiz show scandals at the time. Even though the later revivals were produced by Mark Goodson and Bill Todman’s production company – producers of Match Game, Family Feud, and The Price Is Right – the show was still owned by NBC. Presumably NBC was asking too much for rerun rights, hence why the only places you can watch Concentration is YouTube videos of old VHS recordings.

(Update: It seems pigs are flying and what was the impossible is now possible, as Buzzr, Fremantle’s game show channel, is now airing both the 1970s Concentration with Jack Narz and Classic Concentration on their network daily. For historical purposes, I’ve kept the out-of-date information for historical purposes.)

Through various acquisitions and mergers over the past sixty years, Concentration is now pretty much under the arm of NBCUniversal. Make a note of this, as it will come up later.

Now that I’ve given the refresher course about the show, let’s talk about this game, shall we?

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It certainly looks pretty… simple. The logo looks better than other ones I’ve seen for this game, though…

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I Bought Stuff! 4/16/2018 – One place, three cool things.

I don’t go to thrift stores all that often anymore. I’ve bought too many things over the years that I should write about, but haven’t gotten the time to. It also doesn’t help that thrift store hunting is an adventure in and of itself, so I think I can’t just hit one. But I did just hit one, and it was good to me.

I’ve mentioned Deseret Industries down in Portland before. It’s where I found a bunch of old demo discs from the 90s and 2000s for real cheap. I’ve found PC games I’d never expect to find, even stuff like a cardboard long box copy of NFL Gameday fairly recently. For some reason, this store tends to give me the best luck in finding stuff I wouldn’t expect to find otherwise, whereas I could go to the same Goodwill and be lucky to find a single thing I want, let alone several.

But enough about that, what’d I get?

Well, that’s an unexpected spread of games.

$1 each:

  • Mad Dog II: The Lost Gold (PC)

  • Chronomaster (PC)

  • Concentration (PC)

Mad Dog II is the sequel to Mad Dog McCree, the fairly popular laserdisc-based light gun game. It’s probably American Laser Games’ most iconic game, next to maybe Crime Patrol or Who Shot Johnny Rock. The sequel is however mostly forgotten, however it didn’t stop American Laser Games from porting it to every system known to man after its arcade run had finished.

I honestly bought this more as a lark. These games are fairly simple, easy to memorize, and beatable within 10-30 minutes. It’s just a novelty, through and through. Continue reading…

Operation Body Count: A little-known FPS reborn.

In the many years I’ve been writing about games, I try my best to broaden my horizons and check out stuff that’s not as well known, or written about. In some cases I just end up writing about obscure first-person shooters from the ‘90s most people don’t know about. Such as Operation: Body Count.

Gotta say this is a rather dull title screen.

For those unaware, Operation: Body Count was a first-person shooter released in 1994 by Capstone Software. In it, you play as a nameless commando who has to stop the evil Victor Baloch and rescue world leaders. It had a fair share of interesting features like AI buddies you could control to help you complete floors, semi destructible environments, a map of the area to avoid getting lost, and a semi-realistic environment in the days when things looked pretty abstract.

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I knew I had to get my hands dirty, but I didn’t think they literally meant it…

The game gives a really bad first impression where Our Hero has to fight the dreaded sewer rats under Baloch’s brainwashing for the first several levels. It also doesn’t help the game looks like… well, this.

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This guy couldn’t stop walking into me until I backed up so we could even hit each other.

It looks like a bad Wolfenstein 3D clone, doesn’t it? Well, it uses id’s Wolfenstein 3D engine as a base, which looked pretty cool in 1992-93. Many games ended up using the engine for their games, including Apogee’s Blake Stone: Aliens of Gold and Rise of the Triad.

But then Doom happened. Basically any FPS that still had the 90 degree maze-like look of Wolfenstein looked extremely dated, especially by 1994 standards. Even Capstone’s other big FPS of the time, Corridor 7: Alien Invasion, didn’t fare so well either for the same reasons as Operation: Body Count. I wouldn’t be surprised if many FPS developers were swearing their heads off when the shareware episode of Doom hit in 1993, with its open areas, tall floors, and level geometry that went beyond 90 degrees.

Ah, to think of what could’ve been…

Despite the game’s relative obscurity, a Doom modder by the name of Impie decided to take the fairly maligned DOS game and give it a Doom-style makeover. The result is nothing but amazing. Also called Operation: Body Count, the game is similar to the 1994 Capstone original, but with significant changes that make the gameplay more fun and exciting.

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I can’t see this without hearing him go “YOU LOSE!” at every opportunity.

Our Hero now has a name, Hector Juarez. The villain’s still Victor Baloch, but now instead of taking place in a single building, Juarez now must stop Baloch’s evil terrorist activities, killing big bads, and destroying anything in their path.

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Sometimes you gotta kill a few big bads to save the day.

Since this is a Doom mod, it still has a lot of Doom’s trappings. Still gotta find keycards, hit switches, and shoot your way through occasional maze-like areas to make it to the goal. It’s still got some of the elements of the original, from the mod’s weapons to the hostiles you fight.

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Fall Out Boy meets Asphalt 8: This ain’t a crossover, it’s a god damn car race.

So I was playing Asphalt 8: Airborne, a fairly fun if grindy racing game, and suddenly this popped up on my screen.

Is the title *supposed* to look that weird?

Asphalt 8 meets Fall Out Boy, meant to advertise their newest album? Now that’s a crossover I wasn’t expecting to see.

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Like this car? It’s cool, huh?

Admittedly, I don’t listen to a lot of Fall Out Boy. I know a few of their songs, but I always kept confusing them with My Chemical Romance and similar “emo rock” bands that permeated the landscape in the mid-2000s. From the songs I have heard from them, they seem to be an passably entertaining rock band, and I’m surprised they’re still going in 2018.

You’re probably wondering why this crossover exists. They’re a pop-rock band that hasn’t really mentioned being big racing game fans, so it seems like an ill fit, right? Well, Vivendi, the French mega-conglomerate, owns Island Records, which is Fall Out Boy’s label; as well as Gameloft, the developer behind Asphalt 8. So while it’s not completely random like, oh say, KISS Psycho Circus, it certainly doesn’t feel like a natural crossover.

 

The event goes like this: You join a new racing league, the Fall Out Boy World Tour. In it, you must build enough hype to impress the staff and members of the band to win the championship and earn a brand new car, the BMW M2 “Special Edition,” which differs from the standard BMW M2 in game by having rear spoilers and a cool paint job. You’re given a whole week in real time to do this.

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This nerd deserves a swirly.

However, the fight will be tough as you’ll be facing stiff competition, including one from the “ultimate Fall Out Boy fan,” Adam Knowles. He’ll taunt you throughout, saying he has the best tuned-up vehicle and that you’ll never beat him. As you complete challenges and gain fans, you’ll eventually have to defeat multiple AI in head-to-head races to win the championship and the BMW M2.

Some of the challenges get pretty tough as time goes on.

So how does this work? You gain fans by completing challenges in each race. Most of them are fairly simple challenges – beat the race in the target time, get first place, knockdown more cars than your opponent – others more difficult, such as requiring you to do 6 flat spins off a ramp or drift for 4,000 yards. Successfully pull off the challenge and you’ll earn fan points and build up hype. Hype increases the amount of fan points starting at 1 times the value, to 1.5 times the value, all the way up to 3x the normal value. Every normal race is 200 points, whereas the championship racers increase drastically in value as the story progresses.

Guess this race was… DEAD! ON! ARRIVAL!

Continue reading…

Carol Vorderman’s Sudoku: I’d like 3 big ones…

Over the many years I’ve been collecting games, I’ve always found particularly unusual game show games. Besides the common Jellyvision/Jackbox collective, I’ve found stuff like Outburst, a board game that decided to become a poor man’s You Don’t Know Jack; Another Jack clone that was endorsed by MTV’s TRL, the list goes on. I even have Pat Sajak’s Lucky Letters, which makes me one of the 34 people who bought a physical copy, and that’s also worth talking about. But this one’s a bit different. It comes from across the pond, and features one of the most notable fads of the mid-2000s…

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I wonder if us Americans thought Carol Vorderman was like Mavis Beacon.

It’s Carol Vorderman’s Sudoku. A somewhat obscure Sudoku game, this came out courtesy of Secret Stash Games, a weird Eidos Interactive imprint. Though Empire Interactive is also credited on the box and in the game itself, which mostly published games in the UK (and were the original distributor there, presumably).

So you’re probably asking: Who the heck is Carol Vorderman, and why is she endorsing a Sudoku game? I’m going to assume the people reading this post are not from Britain and/or game show nuts, so I’ll give the skinny on who she is: Carol Vorderman is a long-standing television host, being the co-host for a British game show called Countdown.

Countdown is a fairly simple game show where players either try to come up with the longest word from a semi-random pick of letters, or solve a mathematics puzzle by hitting a target number with six randomly chosen set of numbers.

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Carol solving a particularly devious numbers round.

Vorderman was well known especially for the latter, sometimes getting solutions to the math problems that even the players couldn’t figure out. She was on the show for a very long time, from the show’s early beginnings until 2012. She’s almost like Britain’s Vanna White, but does more than touch screens and clap all day.

As for Sudoku, it’s a little more complex. A long standing game that got an unusual resurgence around the mid 2000s, the game involves placing the numbers 1 through 9 on a 9×9 grid split into 3×3 subgrids. The goal is to make it so each row, column, and subgrid have one of each number without any duplicates. It’s a nice mental puzzle that gained traction in unusual ways, and it’s one of the mini-games in Nintendo’s then-popular Brain Age games. It’s certainly more enjoyable than Jumble or Crossword puzzles, anyway.

Presumably this was made for a pittance, since this was around the time Phoenix Games were churning out sub-par budget games in the UK, so this likely got tossed in that same pile. Though in my case I only paid a few bucks for it at a gaming convention, so it’s no big loss.

So here’s the first problem I have with this game. Carol Vorderman doesn’t have the name recognition that someone like Gordon Ramsay or James Corden has outside their native England. Had I not told you who Carol Vorderman was, you would probably assume she was a fictitious entity like Mavis Beacon.

But I assure you, she’s a real person who endorsed a Sudoku game, and for some reason somebody thought it was fitting to bring it here without any context of who she is or where she’s from.

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This looks like this was made in like five minutes while the Ui designer was taking a bathroom break.

But enough about what person gets to endorse the sudoku game, let’s get back to the game itself. The version of Carol Vorderman’s Sudoku I’m playing on is the PS2 version. Though it did get a PC release, I couldn’t get it to work on Windows 10. I assume both versions are identical in terms of content, but when it comes to something like Sudoku, you can really only change so much. Continue reading…

Tony Hawk’s American Wasteland Soundtrack: Where rock meets punk.

I write about a lot of random junk here. Such as writing about about having a strange collection of video game related albums in the past. Sometimes just simple soundtracks of games, other times stuff like the soundtrack of the the first Tomb Raider film, or even a set of songs featuring the cast of the Where in the World is Carmen Sandiego? game show. Struggling with what to write about to wrap up the year, I thought I’d grab one of those unexpected soundtracks and give a review to wrap up 2017.

So let’s look at the soundtrack album to the the once-yearly skateboarding franchise: Tony Hawk’s American Wasteland. Or as the CD spine calls it, “TONY HAWK’S AMERICAN WASTLAND.”

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This looks so low-quality compared to the cover it’s based on, The Clash’s London Calling.

This is the second released soundtrack album for a Tony Hawk game. The first being a “music from and inspired by” album for Tony Hawk’s Pro Skater 3, which had a bunch of songs from people who didn’t appear in the game like Outkast, Papa Roach, and Drowning Pool; while omitting good stuff like Motorhead’s “Ace of Spades.”

The soundtrack for American Wasteland only covers a small portion of the 64 (!) tracks that are in the entire game, and the 14 songs featured here are all covers of punk songs of the ’70s and ’80s like Suicidal Tendencies, Misfits, The Stooges, and even Black Flag. Considering Tony Hawk games tend to hit the gamut of multiple genres, it’s a bummer they focused on this and not the rock or hip-hop sides of the game’s soundtrack.

While I ended up finding the album at a thrift store for a pittance, you don’t have to do the same. The whole album is available on digital streaming services, including Spotify, so you can listen along with me here:

Some of these songs are by bands I’m familiar with thanks to their appearances in Rock Band or Guitar Hero — My Chemical Romance, Dropkick Murphys, Fall Out Boy, Rise Against — but the rest of the bands featured are pop-rock, post-punk or emo-rock bands that came and went. A fair share of these bands were modestly popular for the era, but unfortunately my music knowledge post-1998 is kinda like swiss cheese: it’s full of gaping holes everywhere.

Punk is also a genre I don’t know all that well besides the more mainstream representations of the genre, so in this case I ended up having to go back and listen to the originals to see if the cover is better than the original, and most importantly if it’s worth listening to Taking Back Sunday cover The Descendents.

The album starter is Senses Fail’s cover of Suicidal Tendencies’ “Institutionalized,” which was originally a deluxe edition bonus track on their debut album Let It Enfold You. Senses Fail appeared on Guitar Hero III: Legends of Rock‘s soundtrack, with a song I barely remember because Guitar Hero III wasn’t that good of a game. As for the song, Senses Fail give the song a much harsher pop-punk kind of sound, complete with slightly changing the lyrics since the original songs reference the lead singer. It’s alright, but kinda lacks the raw, do-it-yourself feeling of the Suicidal Tendencies’ original. At least they didn’t cover “Cyco Vision.”

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The random Big Rock Endings of Rock Band – 10th Anniversary Edition.

2017 marks the tenth anniversary of the best damn music game franchise in video game history. I’m talking about the most awesome fake plastic rock game around: Rock Band. Screw your DDRs, your Beatmanias, and all that. Rock Band is where it’s at.

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And thus, a franchise was born.

Sadly I didn’t get into the instrument rhythm genre until 2009, the year Activision totally thought releasing six Guitar Hero games at $60 a pop was a sound business decision. GameStop was already giving away excess Guitar Hero II 360 guitars when bought with Guitar Hero: Aerosmith, which was on sale for $10. Needless to say, this gave me an easy way to get into the genre proper, after my previous experience of sucking on Even Flow on Easy in Guitar Hero III. I later snagged the then-recent Rock Band 2 a few months later. Alongside getting The Beatles: Rock Band set for Christmas that year, that was when my Rock Band journey truly started.

The first Rock Band is 10 years old, and I’m gonna celebrate it by pointing out how proud Harmonix was of its new features.

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Oh Harmonix, you cheeky little goobers. (This is probably using a fake song as this doesn’t match any song in the game.)

Rock Band was the first western game to implement not just guitar and bass, but drums and vocals as well. Using their experiences from making tons of Karaoke Revolution games, as well as making drums simple and complex, they made a game that became one of the best damn party games around. Provided you had the room and space to hold all the plastic instruments.

But there was another feature that they were particularly proud of: The Big Rock Ending.

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Ram on those buttons! Slam those drums! Annoy your neighbors!

 

In older Guitar Hero games, a fair share of songs ended up with a ridiculous flurry of notes, which was an annoying shift after playing something like “Smoke on the Water”. To counter this, Harmonix introduced the Big Rock Ending. In this, you just strum any note, and bang on any drum to amass points, then hit a specific set of notes at the end. Hit them all, you successfully bank the bonus. A single miss, and it goes up in smoke. Literally.

This solved the problem Harmonix had with the Guitar Hero games at this point. Give them the chance to be a rock star while not making a song harder than it needed to be. They were very, very proud of this new feature. Naturally they had to pad part of the 58-song setlist with them.

In some places, this works out. Stuff like “Flirtin’ with Disaster”, “Timmy and the Lords of the Underworld” or the cover of “Green Grass and High Tides” fits it perfectly considering how the song is. In others, well… Not so much.

Continue reading…