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High Rollers: A DOS game of CGA high stakes.

When it comes to video games based on existing TV shows, game show video games rarely ever get talked about. If they do, they’re often relegated to brief blurbs with ridiculous arguments like “why play this when I could watch the show?”, missing the whole point.

There’s been several dozen versions of Jeopardy! and Wheel of Fortune – most recently for the Switch, Xbox One and PlayStation 4 – with Family Feud not too far behind. There’s been a handful of games based on The Price is Right, Deal or No Deal and Who Wants to be a Millionaire?

Speaking of Jeopardy! and Wheel of Fortune, I’ve actually written about some Jeopardy! games, such as the Game Boy/Game Gear installments, as well as Talking Super Jeopardy! on the NES. Surprisingly, when it comes to Wheel, so far I’ve covered only a knockoff: Tommy’s Wheel of Misfortune. Give those a read if you wanna see more game show-related stuff.

But then there’s shows that somehow got 1-2 games, despite not being that well-known. Now You See It, Win Lose or Draw, Fun House… Even 1 vs. 100 got a few games, which as time went on has been remembered more for being an interactive Xbox Live experience more than being an Actual Game Show.

One of these lesser-known game shows that got the video game treatment is High Rollers.

I’m more a fan of Hair Rollers, myself…

High Rollers had a few runs over the years: Fairly popular runs from 1974-76 and 1978-80 with a pre-Jeopardy! Alex Trebek, and a short-lived revival from 1987-88 with Wink Martindale. Created by Merrill Heatter and Bob Quigley, who had done similar gambling-like game shows such as Gambit. Oh, and a little-known show called Hollywood Squares.

While there are more comprehensive places on the internet that’ll cover all the rules, the game basically goes like this: Two players compete to answer questions to roll a pair of dice, and knock numbers off – one each of 1 through 9 – to win prizes while avoid getting a bad roll. Winner of the match plays the Big Numbers – where there’s no questions, only dice rolls – for a chance at $10,000 big ones. It’s basically the classic board game Shut the Box but with gambling and quiz show elements.

For being called “Box Office,” they weren’t a big success.

Box Office, a budget publisher of computer games, developed and released this game. They didn’t do very many computer games, the only other standout games are A Personal Nightmare, a horror game featuring Elvira; and games based on ALF, The $100,000 Pyramid and, surprisingly, Psycho. Lord knows how making one of Alfred Hitchcock’s iconic films into a video game even works, but that’s not the weirdest “movie into a video game” I’ve ever seen.

Wink looks a bit… concerned here.

There are multiple versions of the game, but for the sake of this article I’m covering the DOS version. You’ll see why in a moment.

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Ghosts I-IV for Quake: A different kind of soundtrack.

If there’s one thing I need to improve on in my life, it’s to write something in the moment. I’ve bought plenty of games, played a bevy of mods, grabbed other assorted things for potential blog fodder…

Then I do nothing with it. This has happened more often than not, but only because I get the problem of being an ideas person and rarely act upon them. I’ve been slowly improving on this front, at least more than I was years ago.

Which brings me to this post about a game mod. I played this on a whim back in 2018, and thought it was pretty neat. While I’m currently wrapped in a few other things right now, I thought I’d write something quick for this month.

A few years back, I wrote an article praising the wonders of Red Book CD audio. CD audio tracks that would play in certain games, from PC classics like Half-Life, to even Sega CD games like Sonic CD. Unfortunately, modern technology is not too kind to the concept, as it often struggles to work properly on modern devices. In some cases, digital re-releases of games like Starsiege: Tribes didn’t even come with the CD music, removing part of the ambience.

There have been solutions thanks to source ports and game updates. For instance, playing Half-Life on Steam has all its music files as MP3s, so if the game (or a related mod) calls for that CD track, it’ll play it without needing the CD.

Looks just as good as it did in ’96.

Which brings me to a classic in Red Book audio: Quake. One of the earliest PC games to use it, popping in the CD would fill your ears with weird ambient music by Trent Reznor and his band Nine Inch Nails. Modern source ports such as Quakespasm actually support playable CD tracks in MP3/OGG formats, which means one can rip the soundtrack from their copy of Quake – or just find it on the internet, I doubt id and Zenimax care these days – and play it easily, proper looping and all.

There’s a handful of Quake map packs that come with custom soundtracks tailor-made for the level pack, such as Travail. Others outright replace the Nine Inch Nails soundtrack with different ambient tracks, like EpiQuake or Quake Epsilon. But what if I told you someone replaced Nine Inch Nails music with Nine Inch Nails music?

Ha! Now I won’t be burned by hot slag. Take that!
(Oh wait, now I can’t get out…)

“Ghosts I-IV for Quake” is an interesting mod. Replacing the original 1996 soundtrack with the entirety of Ghosts I-IV, an album by Nine Inch Nails with nothing but ambient instrumentals seems like a good fit. In a sense, Ghosts I-IV is a spiritual successor to the original Quake soundtrack, even if there’s little similarities in style.

The album itself is interesting: Frustrated by their record label, Trent Reznor severs their contract with Interscope Records and decides to go independent – for a while anyway – and released this under a Creative Commons license. This license is how the mod exists without lawyers getting involved, as it’s a free mod for a commercial video game.

Shooting switches the power of magic pellets!

There is one other feature of this mod: There’s no monsters or weapons. Now there’s mostly empty levels with switches, lifts and other assorted things, but nothing to shoot. With god mode turned on. In a sense, this changes the perspective of the game entirely. No longer a straight explosive romp, it’s strictly an exploration-based affair.

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Games I beat in 2018: Enemy Front.

Welcome to the first Secret Area post of 2019. Here’s something that was several months in the making. This was mostly due to procrastination. Naturally, I’m writing about a game I finished last year, two days short of a year after I had beaten it. And it’s a callback to a post I made last June. Let’s do this.

Last year, I had written a somewhat scathing review of the 2010 Medal of Honor reboot, which took the legacy of a long-standing WWII FPS franchise and basically ruined it by being a Call of Duty 4: Modern Warfare copycat. You can check that post out here. At the end of that post, I had hinted towards a game that I had said was just as close to the original Medal of Honor games.

Okay, it’s a bit of a stretch, but it is a World War II FPS, and surprisingly a decent one at that.

Enemy Front was a shooter released in 2014 for various platforms, including PC. Released by CI Games, it was a fairly unknown budget shooter in an era where those kind of shooters were slowly disappearing due to the drought of retail games as well as the prevalence of Steam making it a newer (and cheaper!) haven for the cheap schlock of the past.

I had heard of it thanks to a certain YouTube personality. Ahoy – later a maker of wonderful flashy documentaries about Doom, Half-Life, the Amiga, and many others – had done a video chronicling the arsenal of Enemy Front. He had done similar videos before for Call of Duty and other franchises, and would later be revised to an all-purpose format with his Iconic Arms series of videos. I’m still waiting for the new season of Iconic Arms, just to see what games he uses as an example for the weapon he’s talking about.

Though, it wasn’t just a British YouTube personality talking about a budget polish-developed FPS’s weaponry that got me to snag Enemy Front. It was also dirt cheap on a Steam sale. All it takes is something to be under $5 and you’ve caught my interest almost immediately.

Broadcasting your war diaries doesn’t sound like a good idea to me.

Enough preamble. Let’s get to the meat and actually talk about Enemy Front proper. You play as American journalist Robert Hawkins as he reports the stories of a resistance front all around Europe. Later joining with resistance fighters, Hawkins must stop the Nazi menace in various locales around Europe, including during the Warsaw Uprising. A fair share of the game takes place around that Polish conflict. It’s fitting, considering developer/publisher CI Games is based in Warsaw, Poland.

Human shields are a good way to be threatening. Until they realize you just grabbed some expendable low-ranking goon.

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Homefront and its ugly product placement.

Over the years I’ve written about games, I end up writing about games from a certain genre, and that’s first-person shooters. It’s my genre of choice, with enjoyable action romps like Doom and Quake to more cinematic experiences like Call of Duty 4: Modern Warfare. Though for every Call of Duty, there’s a clunker of a single player experience, such as Homefront, which I replayed recently.

I tried to play this earlier this year, but then the US-Korean conflict was fresh in my mind and felt like in bad taste.
Christ, 2018 feels like it’s been ten years long.

Homefront is a game developed Kaos Studios, a development team consisting of people who made the popular Desert Combat mod for Battlefield 1942 way back when, were the ones who worked on this infamous game. Backed by THQ’s ambitious marketing campaign, the game had the chance to be something really, really interesting. Except it wasn’t.

Prior to Homefront, Kaos Studios only made one game: the middling Battlefield clone Frontlines: Fuel of War. After the lukewarm reception that game got, they soon were hard to work on a spiritual successor in Homefront. According to a retrospective over at Polygon, the game was meant to be strictly a multiplayer-only experience – which makes sense, considering the developer’s pedigree – but executive meddling caused a shift in marketing to add a traditional single player campaign, causing it to drown out the carefully crafted multiplayer they had made.

It’s hard to tell in this screenshot, but Connor here kept running in place, stuck on a rock.
I had to restart the checkpoint to fix it.

I decided to replay this, on PC this time – my previous experience was through the streaming OnLive service around 2012 or so – and it hasn’t gotten any better. If anything, it’s much worse than I remember.

All Ghillied Up this ain’t.

Homefront’s single player campaign checks off every single thing Call of Duty did, but somewhat worse: there’s a section where you kick open a door and shoot everybody in slow motion like in Modern Warfare 2, a portion of a stage where you’re picking off enemies as a sniper as you infiltrate an enemy camp ala “All Ghillied Up” from Call of Duty 4, even a section at the very end has you using a CUAV drone to pick off targets on the Golden Gate Bridge much like a section in Modern Warfare 2.

It feels like someone up top at THQ said to Kaos, “Hey! Remember that thing that Call of Duty did? Do that!” and did so without having a say in the matter. A shame, really.

But that’s not what I’m here to write about. I’m here to write about the game’s product placement.

This screenshot, from Remedy’s Alan Wake, features product placement from Energizer, slightly breaking the immersion.

Product placement in video games is a sticky kind of subject matter. I can’t think of any recent game that used it effectively short of sports games, and even there it can get pretty bad at times. Homefront is littered with advertisements for so many brands that taints the atmosphere of the game, taking place in a modest town in the middle of the United States. For being part of “the resistance,” you sure see a lot of product placement.

Kaos Studios’ lead level designer once talked about using brands in their game, and how they were allegedly rejected by several companies in doing so. Though it sounded like there’s only a brand or two in the entire game, there are many, many more brands than what they say here. It also looks pretty ironic considering in this interview they condemn Infinity Ward for making Burger Town, a fictitious brand in Modern Warfare 2.

As I played through Homefront’s campaign, I started documenting all the brands I saw. Now I don’t think I got every single bit of product placement here, there’s likely a few I missed because there’s shockingly so many of them. I’m ranking them from the least offensive to the most egregious in the entire game. It gets pretty ugly in spots, so strap in.

 

Homefront starts with a section where protagonist Robert Jacobs – a successful graduate of the “Gordon Freeman School of Character Development” – is shoved onto a bus ostensibly to be retrained as an enemy fighter pilot. That gets stopped short by the supporting allies of the resistance, Connor and Rianna. Though it does give a glimpse of a few Pabst Blue Ribbon banners strewn throughout the city before the bus is flipped over.

 

Not long after Jacobs escapes, they slip through a certain restaurant chain – more on that later – and walk past a Full Throttle vending machine. An energy drink brand by Monster, it’s one of two brands they own that are featured in this game, the other being NOS, which shows up a little later into Chapter 3. Oddly enough, Monster itself is a no-show here.

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I’m playing Call of Duty 4 multiplayer. On PC. In 2018.

While playing on Bog, a dark, wide map filled with small gaps of cover and two small buildings ripe for camping, I noticed an enemy player’s been using the infamous “noob tube” – an M203 grenade launcher – to get easy kills. I decide to switch over to my sniper rifle build, with an R700 equipped, ready to pick off the offending noob tuber.

I then started sweeping around the map looking for enemies. I spotted enemies on the other side of the map and starting aiming down the scope and taking shots, occasionally moving to avoid being easily killed. I then spotted an enemy with a rifle and his grenade launcher prepped, and I nailed him in one shot. However, he had just shot a grenade before he died. A grenade that landed right on me. I couldn’t resist to type “good trade” in the chat.

The aftermath.

It’s 2018, and there’s people still playing Call of Duty 4: Modern Warfare online 11 years later. I had picked up the PC version of COD4 as well as World at War on Steam for $10 each. I had hoped they would hit the $4.99 sweet spot, but Activision doesn’t believe in the concept of making their games that cheap.

Surprisingly holds up even graphically.

Honestly, I didn’t need to buy these versions again. I already had both of those games on a console – hell, Call of Duty 4 was the first game I ever got for my PlayStation 3 in 2008 – but the PC version had a fair share of advantages that I wanted to check out. Plus I couldn’t resist replaying the campaigns to some of the best games in the entire series. (Black Ops would probably be a close third.)

First, I also wanted to look into the mod scene. There was a Star Wars-themed mod for COD4 called Galactic Warfare that was making the rounds around 2009-2011, and it was kind of the reason I wanted to look into the PC version. Sadly, it seems the overall mod scene has died out, leaving me with just vanilla COD4 to play with. With Hardcore settings on, no less.

Hardcore makes it so there’s little HUD, and everybody’s a glass cannon. At least some of the weaker weapons prevail in this mode…

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I Bought Stuff! 11/7/2018: Portland Retro Gaming Expo 2018 (and more!)

Alright, finally got to this. A few weeks late, but I was never known to be prompt on things like these.

So a while back, the Portland Retro Gaming Expo happened. On its twelfth year, it’s a convention that has retro arcade games, pinball machines, loads of booths to buy merchandise of various kinds, and panels about retro video games in some fashion.

Regrettably the past few years I’ve missed out on a handful of panels, but I’m grateful for at least checking out the Nintendo History Museum by the cool peeps at the Video Game History Foundation. I also bumped into my friends Weasel and Cassidy while during my roaming of the show floor, while also spotting a fair share of notable personalities here and there. (Weasel told me I was “right next to The Gaming Historian” at one point and I didn’t even notice.)

I’m at that point where I don’t really need many video games at this point, considering my burgeoning backlog. Yet against my better judgment, I did buy games for super cheap, trying to fill up my original Xbox collection and snagging a few cheap deals. But I also grabbed a few tech-based things during and after the expo, so let’s get to recapping.


$15:

– A component video cable for an original Xbox ($10)

– Xbox: Medal of Honor: European Assault ($5)

Okay, these were after the expo. On Sunday I had put a goal to find some video cables for some of my consoles because I felt they needed an upgrade. I didn’t find one of them, so I had eventually went to Video Game Wizards (the closest mom’n’pop game shop to me) and snagged some cables, as well as an Xbox game for good measure.

At this point, now I am able to play all of the early-to-mid 2000s game consoles in component video quality. I have component cables for the PS2 and Xbox, and I have a Wii with Gamecube backwards compatibility, which I also run through component.

I know there’s solutions now to get those systems to output in HDMI, but I feel that’s a bit excessive. Though, EON had a booth for an HDMI adapter for the Gamecube, which might be cheaper than trying to get the very expensive component cables for the system. If you’re going that route, check them out here, perhaps that’s a better option for those who have more recent TVs where it’s HDMI only with no other video inputs.

As for Medal of Honor: European Assault? Well, we’ll get back to that one in a bit.

(UPDATE 11/8/2018: The cables in question refused to show any video on my television regardless of resolution, so I exchanged them for different cables. While those actually showed video in component, the signal occasionally flickers out and doesn’t work in 720p. Sadly, I think my TV is slowly dying, which I’m not surprised considering how old it is.)

$10: Xbox: Tony Hawk’s Pro Skater 2x

Now to cover stuff I actually got at the expo, starting with probably the most expensive thing I bought.

The Tony Hawk games were a franchise that passed me by. I played the first two, but tapped out not long after. I snagged Pro Skater 3 on disc for PS2 a long while back, and I thought now’s the time to start getting into the series proper while they’re still easy to get.

A launch title for the original Xbox, this was a spit-shine “HD” version of Pro Skater 2 by Treyarch, before they became 1/3rd of the Call of Duty Cerberus. In addition to prettifying the original game’s levels, there’s a few levels exclusive to this port as well as the original Pro Skater stuff in there.

In my head, this is probably a better way to start playing the franchise in order than hunting down fairly pricey copies of Pro Skater and Pro Skater 2 for older systems. Though, I wouldn’t mind finding any of the Pro Skater games for the Nintendo 64, as those are interesting technical marvels. Well, that and the N64 version of Pro Skater is how I got introduced to the franchise back in the day.

Surprisingly, I enjoyed the chopped up music loops they used because of cartridge space limitations, and Pro Skater 3‘s soundtrack pretty much makes them outright remixes.

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Mods and maps: Half-Payne.

When I wrote about Half-Life: Before, I had realized that writing about such a mediocre Half-Life mod felt disappointing to me. I usually try my best to avoid going for easy punches and writing about bad stuff. Besides, there’s other people that cover bad stuff so much better than I ever will.

So I wanted to make good and write about a different Half-Life mod. After all, Half-Life is probably the game that got me interested in mods, after Wolfenstein 3D and Doom. So after playing and writing about Before, I had stumbled upon an existing mod that had recently updated, and decided to give it a whirl once more.

I always get a kick out of crossover mods. Counter-Strike into Half-Life. Mario platforming in Doom. That sort of stuff. I don’t remember how I found this one, but last year I had stumbled upon one of the coolest crossover mods I’d seen. This Half-Life mod takes the concept and character from another iconic game franchise and transplants him into the original game.

This is why I said “grab your Berettas and painkillers” at the end of the Before article. We’re about to do some bullet time in Black Mesa.

“I was in a game modification. Funny as hell, it was the most horrible thing I could think of.”

Half-Payne is pretty self-explanatory: It’s Half-Life but instead of the crowbar-wielding silent protagonist Gordon Freeman, you play as Max Payne, the pill-popping, dual-wielding protagonist from the titular series.

I remember when this sequence was pretty cool.
A shame that every time now it looks out of sync…

Sounds pretty simple on the surface. Max Payne’s primary gameplay feature was the “bullet time” mechanic, one of the earliest action games to use that feature. Go into slow motion and shoot enemies with your trusty Berettas. That seems easy to make, right?

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Half-Life Before: A mod that should’ve gotten the red light.

I remember a couple years ago when Steam Greenlight was a thing. A way for more independent publishers and developers to get their games on Steam, Greenlight was a simple voting system where one’s game could be published under the system if it got enough support.

Unfortunately this lead to a lot of fairly questionable works hitting Greenlight. A fair share of games using stock assets from Unity, Unreal, and such. Others were people not understanding copyright law and posting stuff like World of Warcraft to Greenlight. One game was a fairly unremarkable team shooter that got re-posted to Greenlight several times after the creator had difficulty taking constructive criticism, even changing the name to “Tactical Anal Insertion” in a fit of rage.

On the bright side, games like Divekick, Broforce, and Undertale were some of the more standout choices that made it to Steam thanks to Greenlight. So it wasn’t all bad, even if there were people spending the $100 to release a proof-of-concept game that wasn’t even in a playable state.

Though, not everything was a game. Sometimes software made the Greenlight seal of approval. Even community mods like NeoTokyo made it into the mix, which was nice for people to get their project noticed. Though, much like a majority of Greenlight submissions, not all of them were winners, such as this one.

is it “artifact” or “artefact”? and what parallel world?

Half-Life: Before is a cheap free mod from developer Creashock Studios, a one-man studio who I hadn’t heard of until this game.

Now I’ve played a bevvy of Half-Life mods. Some of the best and most notable like They Hunger, Poke646, Azure Sheep and many others. Though for every good mod, there’s at least a dozen bad ones. Before falls into the latter category.

The thrilling introduction.

The story really doesn’t make a lot of sense: You play as Black Mesa scientist Andrew Winner as they’re teleported onto a cargo ship to… find something to go to Xen? The story isn’t that clear, and the brief amount of story given doesn’t explain much beyond what the Steam store page and the main menu gave me.

One option when you start is using this machine gun in this helicopter to take down the headcrab zombies. Or you could just take them down with your normal weapons.

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James Bond 007 The Duel: The lesser-known Bond video game.

It feels weird these days that there’s no James Bond video games being released. The last major James Bond game was 007: Legends in late 2012, made to advertise the then-new Skyfall film. Activision revoked the James Bond licence the following year, and unfortunately killed off the wonderful Eurocom in the process. Since then, nobody has come up to the plate to bring the titular spy back in a big-budget licensed game. A shame, really.

While most people probably remember the heyday when Nightfire was the in-thing, or even tried to give stuff like 007 Blood Stone a try, James Bond games have been around much, much longer. There’s so many of them, more than you’d expect. Most of these are fairly quick to talk about, except for one that came out in the early ‘90s.

But before Activision, before EA, even before Goldeneye 007 was having people go Slappers Only in The Basement, there was those really awkward years throughout the 80s and 90s.

 

Some of the many less-fondly-remembered Bond games, from left to right: James Bond 007 (Atari 2600), A View to a Kill (Apple II) and James Bond: The Stealth Affair/Operation Stealth (Amiga).

Before Nintendo published James Bond 007 and the famous Goldeneye, there wasn’t really a definitive publisher of James Bond games. Parker Brothers put out a passable action game on the Atari 2600 where you play as one of Bond’s fancy cars rather than the character. Mindscape published a few Angelsoft text adventures – written by James Bond historian and later Bond book author Raymond Benson – at one point even Interplay got in on the Bond thing, taking Delphine Software’s Operation Stealth and slapping the James Bond license on it, changing only a few names here and there. But the primary publisher for a lot of Bond games during this period was British publisher Domark.

Domark’s challenging, yet creative takes on The Spy Who Loved Me, Live and Let Die and The Living Daylights.

When Domark had the license throughout the late 80s to early 90s, they released many different kinds of games. Often times these were action games inspired by existing games, like the game based on The Spy Who Loved Me being a passable Spy Hunter clone. There were also games based on Licence to Kill, Live and Let Die, and The Living Daylights.

I do not recommend actively seeking out these games. If you’re morbidly curious, find a cracked copy where you can turn on cheats. A lot of these games are stupidly hard, probably to cover up how little there was in overall game content. For example, Licence to Kill can be beaten in less than 15 minutes if you’re skilled enough. Probably wasn’t worth the $50 price tag with that little gameplay value.

While most of these games were on home computers, there was a James Bond game on home console and it was quite an interesting little piece.

Early ’90s action cartoon, personified all on this box art.

Oh god, no, not that one.

James Bond Jr. is technically a James Bond game, based on the “how did this get made” cartoon series where you play as James Bond’s nephew, rendering the show’s title completely inaccurate. No matter if you’re playing it on the NES or SNES, they’re frustrating, unfun games. Unsurprisingly these are published by THQ, which were infamously known for terrible licensed games throughout the 90s, some rivaling LJN/Acclaim in sheer badness.

No, I’m talking about what ended up being Domark’s final James Bond game: James Bond 007: The Duel.

Domark really loved using this publicity photo from Licence to Kill, didn’t they?

Released in 1993 for the Sega Genesis/Mega Drive and Game Gear, this is an action-based platformer. Developed by “The Kremlin” – in reality Domark’s in-house development team – this is the only James Bond game to appear on Sega platforms. Surprisingly this is not based on an existing film, but rather an amalgamation of various elements of Bond films up to that point.

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My e-Reader Card Collection: Nintendo’s Last Straw.

I have made a fair share of questionable purchases over the years. Back when I was still a Nintendo apologist, during the heydays of Gamecube puttering along way behind the PS2 and when the Game Boy Advance was king of all portable gaming, I had bought stuff that in hindsight wasn’t that useful. Such as the GBA-GC link cable that connected a GBA to a Gamecube to transfer data, or in the case of games like Final Fantasy Crystal Chronicles, have all the action take place on the GBA.

Nintendo-e-Reader

This looks neat at first glance, doesn’t it? Oh, if only.

But that isn’t nearly as much in terms of questionable purchasing decisions as me buying into Nintendo’s e-Reader. Not to be confused with an eBook reader, the e-Reader was a Game Boy Advance add-on where you could scan cards with codes printed on the side to get cool goodies. It sounds like a good idea on paper, but the execution was poor: Games sometimes needed 3-10 codes scanned to play something, you could only hold one thing on the e-Reader’s memory at a time, and you needed a GBA link cable if you wanted to transfer anything from an e-Reader to another system, or the Gamecube.

It was a mess. Needless to say, Nintendo of America wasn’t having more of this and discontinued the thing around 2004. Thus leaving me with a bunch of cards I had acquired that I didn’t really have much use for anymore.

20180717_104226

52 e-reader pickup (digital photography, 2018)

Over 15 years after the e-Reader came out, I still have the damn cards. And I’m gonna show some of them off here. Now, these aren’t the most rare, or the most valuable, these are just cards I find interesting, because they have a story to them. Note I’m only gonna list cards I personally own, as much as it would be interesting to write about Japanese exclusive e-Reader cards, I don’t have those.


20180717_102537

Props to Nintendo for using the original Famicom cover art, at least.

Donkey Kong Jr.-e

One of the two pack-in classic games – the other being Pinball – this was part of the “Classic NES Series” which featured almost nothing but early NES games, the ones you see crop up everywhere on Nintendo platforms: Donkey Kong, Balloon Fight, Ice Climber, even much-maligned brawler Urban Champion got the e-Reader treatment.

The first card shows how to play the game, with each subsequent card giving some important tips on how to play and eventually master the game. It’s nice considering people even of my generation never grew up on the older NES catalog, but them not being based on more “powerful” NES games like Super Mario Bros. really made this particular series only interesting to diehard Nintendo fans.

It also didn’t help it came on five cards, with one set of two dot codes each. That’s 10 codes I had to scan to play this thing. Worst off, if I wanted to play any other game, I had to remove the game from memory, thus requiring me to scan all ten codes again if I wanted to replay it.

Funny enough, some of these games later got treatment as part of a brief stint of a different “Classic NES Series,” which was on traditional cartridges. These featured more of the NES classics you’d be familiar with, like The Legend of Zelda and Metroid. Why scan 10 codes of Ice Climber when you could buy the same thing for a higher price on a traditional cartridge? Nintendo probably didn’t think that one through too well.

I’ve seen some of these Classic NES Series card packs on sale during the Portland Retro Gaming Expo, and I sometimes get the temptation to get another one of these. Then I realize I’d have to scan 10 codes, and I could play that game elsewhere with less hassle.

…Have I mentioned I hated having to scan 10 freakin’ codes yet?

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